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纯英文版网站和英汉对照版上线,欢迎阅览! [2016-03-28]
 
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媒体报道苏菲 [最新]/Media Reports About Sophy[New]

《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)

《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏) [06-26]

苏菲:“中国诗歌的对外翻译严重滞后”[高端访谈] (《贵州民族报》民族文学周刊)

苏菲:“中国诗歌的对外翻译严重滞后”[高端访谈] (《贵州民族报》民族文学周刊) [09-14]

女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)

女诗人苏菲:从朗诵开始进入诗歌天地(信息时报) [09-04]

媒体报道苏菲 [热门]/Media Reports About Sophy[Hot]

苏菲:“中国诗歌的对外翻译严重滞后”[高端访谈] (《贵州民族报》民族文学周刊)

苏菲:“中国诗歌的对外翻译严重滞后”[高端访谈] (《贵州民族报》民族文学周刊) (362)

女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)

女诗人苏菲:从朗诵开始进入诗歌天地(信息时报) (325)

《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)

《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏) (126)

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苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen
苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen[2016-10-05](111)

摘要:苏菲诗歌翻译的前提:1、必须是苏菲本人喜欢的诗歌作品;2、不在纸质刊物发表、出版以及参加诗歌节活动的单首诗歌和诗歌集一概不翻译;3、不签订出版合同的诗歌集不翻译;4、不签翻译家姓名的任何作品不翻译;5、不尊重翻译家,讨价还价的不翻译;6、先付翻译费后翻译;7、苏菲个人主编的诗歌选集和诗歌翻译报刊,如有赞助,翻译费另行商议。…[详细]

《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)
《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)[2016-06-26](126)

摘要:文化部主管刊物《文化月刊》艺术人生栏目,2016年6月号(上半月刊),刊发了诗人大藏的长篇文章《翻译家苏菲:用英语教育推动中国诗歌国际化》。文章从五个方面叙写苏菲的传奇历程与翻译梦想。…[详细]

[全站置顶]苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen
[全站置顶]苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen[2016-10-05](111)

摘要:苏菲诗歌翻译的前提:1、必须是苏菲本人喜欢的诗歌作品;2、不在纸质刊物发表、出版以及参加诗歌节活动的单首诗歌和诗歌集一概不翻译;3、不签订出版合同的诗歌集不翻译;4、不签翻译家姓名的任何作品不翻译;5、不尊重翻译家,讨价还价的不翻译;6、先付翻译费后翻译;7、苏菲个人主编的诗歌选集和诗歌翻译报刊,如有赞助,翻译费另行商议。…[详细]

[栏目置顶]女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)
[栏目置顶]女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)[2014-09-04](325)

摘要:享受生活我的书房 女诗人苏菲:从朗诵开始进入诗歌天地 大洋新闻 时间: 2014-08-18 来源: 信息时报 【书房主人】 苏菲(Sophy Chen) 中国当代女诗人、翻译家。英文名Sophy Chen,本名陈丽华。毕业于西安外国语大学英文学院,英语语言文学硕士,在外语类院校任教至今。现为国际诗歌翻译研究中心研究员、混语版《世界诗人》季刊客座副总编、中国翻译协…[详细]

《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)
《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)[2016-06-26](126)

摘要:文化部主管刊物《文化月刊》艺术人生栏目,2016年6月号(上半月刊),刊发了诗人大藏的长篇文章《翻译家苏菲:用英语教育推动中国诗歌国际化》。文章从五个方面叙写苏菲的传奇历程与翻译梦想。…[详细]

苏菲:“中国诗歌的对外翻译严重滞后”[高端访谈] (《贵州民族报》民族文学周刊)
苏菲:“中国诗歌的对外翻译严重滞后”[高端访谈] (《贵州民族报》民族文学周刊)[2015-09-14](362)

摘要:第5期《贵州民族报》《民族文学周刊》头版) (高端访谈《贵州民族报》《民族文学周刊》)苏菲:中国诗歌的对外翻译严重滞后 若 非 人物档案 苏菲,本名陈丽华,毕业于西安外国语大学英文学院,英语语言文学硕士,在外语类院校任教至今,现为混语版《世界诗人》季刊客座副总编,英汉双语诗歌写作者和译者,国际诗歌翻译研究中心研究员,中国翻译协会会员。19…[详细]

女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)
女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)[2014-09-04](325)

摘要:享受生活我的书房 女诗人苏菲:从朗诵开始进入诗歌天地 大洋新闻 时间: 2014-08-18 来源: 信息时报 【书房主人】 苏菲(Sophy Chen) 中国当代女诗人、翻译家。英文名Sophy Chen,本名陈丽华。毕业于西安外国语大学英文学院,英语语言文学硕士,在外语类院校任教至今。现为国际诗歌翻译研究中心研究员、混语版《世界诗人》季刊客座副总编、中国翻译协…[详细]

  • 苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen[10-05](111)

     苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen

     

    一、苏菲诗歌翻译的前提:

    1、必须是苏菲本人喜欢的诗歌作品;
    2、不在纸质刊物发表、出版以及参加诗歌节活动的单首诗歌和诗歌集一概不翻译;
    3、不签订出版合同的诗歌集不翻译;
    4、不签翻译家姓名的任何作品不翻译;
    5、不尊重翻译家,讨价还价的不翻译;
    6、先付翻译费后翻译;
    7、苏菲个人主编的诗歌选集和诗歌翻译报刊,如有赞助,翻译费另行商议。

     

     

    二、苏菲诗歌翻译合作模式

    1、直接支付翻译费用或赞助翻译费(具体收费见下表);
    2、苏菲英语讲坛招生资源互换:如果诗人在当地有一定的社会招生资源,依据实际所招缴费的英语学习者人数,苏菲为其翻译相当行数的诗歌代表作;
    3、研究院所、高等院校、作家协会、文化出版机构、培训机构等与“苏菲诗歌翻译”或“苏菲英语讲坛”项目合作,具体可商谈。

      

    三、苏菲诗歌翻译收费标准

    翻译分项
    收费标准(¥) 转换语种
    新诗 15元以上/行 汉译英/英译汉
    古体诗 30元以上/句 汉译英/英译汉
    散文诗 100元以上/百字 汉译英/英译汉
    学术论文 1000元以上/千字 汉译英/英译汉
    散文、随笔 800元以上/千字 汉译英/英译汉
    小说 8000元以上/万字 汉译英/英译汉
    影视剧本 价格面议 汉译英/英译汉

     

    翻译稿件预审邮箱:478674384@qq.com
    银行账户:中国工商银行:622202 360202 8164168 陈丽华

     

    苏菲简介:

    苏菲(Sophy Chen),本名陈丽华,中国当代女诗人、翻译家。美国英语“传奇诗人”。“苏菲诗歌&翻译网”创办人。苏菲英语讲坛创办者和主讲人。毕业于西安外国语大学英文学院。
    获2012年度“国际最佳翻译家奖”。“中国当代诗歌奖”(2013—2014)翻译奖。
    出版英译诗歌集六部:《花动摇》、《藏香》、《生之瞭望》、《异调》、《胴体向前》、《白娘子诗传》。

     

     


    苏菲诗歌&国际翻译网

    www.sophypoetry.com

    二零一六年十月五日

     

  • 《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)[06-26](126)

     

    《翻译家苏菲:用英语教育推动中国诗歌国际化》


    (《文化月刊》2016年6月号上半月刊)

    作者:大藏

    “Translator Sophy Chen: To Promote Chinese Poetry Internationalization By English Education”

    Published by Chinese “Cultural Monthly”
    Written by Chinese Poet Dazang

     

    摘要:文化部主管刊物《文化月刊》艺术人生栏目(2016年6月号上半月刊),刊发了诗人大藏的长篇文章《翻译家苏菲:用英语教育推动中国诗歌国际化》。文章首先以一个文化观察者的角度综述了中国诗歌翻译家苏菲(Sophy Chen)的诗歌翻译、国际诗歌传播的阶段性历程,同时重点转引与阐明了苏菲关于中国诗歌翻译与诗歌传播的理念与思路,回顾了苏菲从热爱外语到双语诗人、双语诗歌翻译家的个人成长历程;结合目前中国诗歌集对外翻译和在国际上出版与流通的现状,苏菲从翻译家个人服务于中国诗歌与文艺作品的国际翻译与推广的角度,提出以英语教育产业化来推动中国诗歌国际化的的可行性构想宏图。
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    大藏的文章,主要从以下五个方面来叙写苏菲的传奇历程与翻译梦想:
    一、中国诗歌翻译界飙出的一匹“黑马”
    二、诗歌翻译与推广传播一体化的最初尝试
    三、中国诗歌“走出去”不能只依赖外国翻译家
    四、从热爱外语到双语诗人、双语诗歌翻译家
    五、英语教育产业化助推中国诗歌国际化

    关键词:苏菲、翻译家、中国诗歌、诗歌翻译、传播推广、国际化、英语教育、产业化

      

    Sophy Chen on Open Class of IELTS & TOEFL

    (苏菲在讲雅思托福英语公开课 Sophy Chen on Open Class of IELTS & TOEFL )

     

     

    翻译家苏菲:用英语教育推动中国诗歌国际化


    作者:大藏

    Translator Sophy Chen: To Promote Chinese Poetry Internationalization by English Education

    By Chinese Poet Dazang

     

        国内文学界“走出去”的呼声不断,越来越多的中国诗人,已渐渐不满足于出版中文版诗集、在汉语圈内的诗歌交流,他们想要成为国际性诗人,希望能在国外出版自己的诗集,有机会与国外诗人们进行交流。自然,这些汉语诗人诗歌作品的翻译,就成为一个迫切而重要的课题。目前,国内汉语诗歌的翻译工作方兴未艾,而专业从事这个行业的国内翻译家却寥若晨星。——英汉双语诗人苏菲,就是中国诗歌翻译界的一朵“奇葩”。
     

    苏菲:中国诗歌翻译界飙出的一匹“黑马”



        中国诗坛,很多女诗人都曾引起人们的高度关注,比如80年代的舒婷,去年飙红的余秀华等。但她们都是用汉语写作,极少听说有中国人用英语写诗且专门从事汉译英诗歌翻译的。女诗人苏菲,就是这样一位与众不同的诗人兼翻译家。

        2013年5月,著名诗人东荡子获得广东诗人黄礼孩设立的“诗歌与人·诗人奖”,苏菲对该次颁奖特别印制的册子前言、颁奖词、授奖词等的精准翻译,首先引起了广东诗人、诗评家的关注。苏菲首次引起媒体关注,是在2013年底应邀出席的“独山传奇”首届贵州诗歌节,当时,《贵州民族报》(《民族文学》周刊)高端访谈栏目,以《苏菲:“中国诗歌的对外翻译严重滞后”》为标题整版报道了苏菲的诗歌创作与翻译。2014年苏菲应邀出席“春山凤鸣”广州第五届女诗人朗诵会,她以标准流利的BBC英语和婉转优美的英文朗诵震惊全场,展示了英语诗歌与英语朗诵不同于汉语诗歌的瑰丽色彩,当时的英文诗歌朗诵在网络迅速流传,其中单单两个在酷6网上传的朗诵视频播放量合计就高达60多万次(据百度视频统计)。2014年8月,广东《信息时报》读书栏目,以《苏菲:从朗诵进入诗歌天地》整版篇幅采访了苏菲,大陆及海外超过150家媒体,包括中国社科院网、中国新闻网、新浪网、凤凰新闻网、台湾新闻网等转载。2014年10月,苏菲应邀出席第二届两岸西方翻译理论再思/批判暨“翻译中国”学术研讨会、全国翻译哲学暨首届翻译与诗学研讨会、首届中国(宝安)国际诗歌论坛暨名家诗歌讲座,以及2015年北岛主持的“香港国际诗歌之夜”等,在国内翻译学术界和国际诗歌论坛斩露头角。2015年12月,苏菲受邀担任首届“DCC杯”全球华人诗歌大奖赛评委并参加系列活动,并通过她创办的“苏菲诗歌&翻译网”传播平台,第一时间向国内外发布了大奖赛的颁奖实况,各地华语文化媒体纷至沓来,该新闻页面当天的浏览量就高达2000余次。

    Sophy Chen & Poet Beidao 苏菲与北岛合影

    (苏菲与北岛合影 Sophy Chen & Poet Beidao )

    ("DCC杯"全球华文诗歌大奖赛评委合影 
    The Judges of"DCC Cup"Global Chinese Poetry Contest )

        出生于秦岭南麓、毕业于西安外国语大学英文学院的苏菲,现在是“苏菲诗歌&翻译网”主编、中国翻译协会会员、国际诗歌翻译研究中心研究员,同时是目前全球唯一一份以多种语言对照出版的国际性诗刊——混语版《世界诗人》季刊的客座总编。苏菲在从事高校英语教学之余,一边为该杂志定期翻译提供英汉或汉英翻译诗稿,一边专注于翻译有意在海外出版的华语诗人诗集。目前,苏菲已经把国内六位诗人的汉语诗歌集翻译成英语,汉英对照出版,为中国和世界100多位知名诗人翻译过代表性诗歌作品,并参与汉英读本《中国新诗300首(1917—2012)》作品的英译及全书英文校对,负责审译纯英文版《世界诗歌年鉴2013》、《世界诗歌年鉴2014》等。
     

    诗歌翻译与推广传播一体化的最初尝试

     

       莫言获得诺贝尔文学奖,为国人打开了一扇世界的窗户。但长期以来,由于中外语言沟通的障碍,中国官方的文坛诗界还没有建立起有力的国际交流机制和有效的国际传播渠道,民间的国际翻译更如零星雨点。

        苏菲深切地感受到翻译必须和传播相结合,也深切理解数以百万计的中国作家与诗人在对外推广和传播方面的困惑和焦灼。为了致力于中国优秀诗歌的翻译与国际化推广,同时致力于国际优秀诗歌的翻译与传播交流,苏菲创办了中国首家英汉对照个人诗歌翻译网——“苏菲诗歌&翻译网”(http://www.sophypoetry.com),2014年10月汉语版首先上线,2016年3月网站经改版建立了英文版、英汉对照版,名副其实成为中国首家由翻译家个人主办的国际诗歌翻译网。目前网站在谷歌的搜索抓取量达上万条,百度的搜索几千条,最高日访问量达到3000余次,单篇文章累计阅览量最高达近5000次。网站已推出以梅丹理、张智中、张智等为代表的中外著名翻译家和以杨克、伊沙、潇潇为代表的中国著名诗人。苏菲花了大量时间进行网站内容编辑,陆续将翻译的国内外知名诗人的诗歌作品上传,通过分享到国际诗歌社区进行广泛推广,还通过上传翻译作品和原创英文诗歌到全球各诗歌门户网站进行传播和互动交流,均取得了显著成效。

    Poetess & Translator Sophy Chen 女诗人、翻译家苏菲

    (女诗人、翻译家苏菲 Poetess & Translator Sophy Chen )

        目前在大陆以外,苏菲诗歌&翻译网和英语诗人苏菲在国际诗歌社区的影响力日渐彰显。印度圣乔治大学MuteMelodist学术艺术网和《澳门月刊》全文刊发了对苏菲诗歌&翻译网和翻译家苏菲的整体介绍,前者的网站首页还做了链接,苏菲陆续收到不少来自国际诗歌团体和著名诗刊、诗人的约稿函,如苏菲的英语诗歌《面对恐怖主义,诗歌是一无是处的是处》就曾入选POETRY AGAINST TERROR《反恐诗歌》2016意大利全球诗歌选本。同时,以苏菲诗歌翻译网和翻译家苏菲为纽带,目前已整合了国外包括韩语、阿拉伯语、孟加拉语、意大利语、法语等多语种诗歌翻译家,准备一起翻译(或转译)、推介更多中国诗人的优秀作品。

        苏菲所做的这一切,只是出于对中国诗歌的一份责任感和使命感,而做的翻译与传播一体化的有益尝试。对于海内外数量庞大的华语诗人群体和每天数以百万计的原创诗歌数量来说,只能是沧海之一粟,更集中、更广泛、更有成效的中国诗歌翻译和传播,正等待更多的中国诗歌翻译家和国际化团体参与。
     

    中国诗歌“走出去”:不能只依赖外国翻译家!



        对于中国当代诗歌“走出去”,苏菲有自己的认识。长期以来,中国古典文学,一直被看作是中国文化的精髓,甚至连德国的歌德、美国的庞德,都曾将目光转向了中国,那个时候被译介的诗词是古典文学中的精粹。中国经历了“五四”,在大量译介西方先进的思想与文学著作的过程中,新诗才蹒跚学步慢慢地成长起来;而现在经历了百年发展,当代优秀新诗,作为中国文学最成熟的部分,已经积累了蕴涵丰厚的思想内容,文化辐射力无可限量,因此有理由积极推广,让全世界的读者及时欣赏到璀璨的中国现当代诗歌文明。

    苏菲与埃及诗人翻译家赛义德-顾得、香港诗人秀实合影 Sophy Chen,Egyptian Poet & Translator SayedGude,& HongKong Poet Peter Liang

    (苏菲与埃及诗人翻译家赛义德-顾得、香港诗人秀实合影
    Sophy Chen,Egyptian Poet & Translator SayedGude,& HongKong Poet Peter Liang)

        “现在越来越多的老外也想要及时了解中国文化,而当代诗歌,是继莫言获诺奖‘中国文学热’以来,除小说以外最吸引全球读者的文学体裁。”目前中国诗歌的对外翻译严重滞后。虽说近年来诗歌对外翻译有上升的趋势,可是相对中国目前经济、社会、文化的发展现状和诗歌自身的传播交流趋势来说,是严重滞后的。苏菲说,中国诗歌要走出去,中国翻译家首先要建立诗歌英译的坚定信心。中国翻译家要承担起诗歌翻译的重任,而不应该仅仅把希望寄托在外国翻译家的身上。她认为,中国诗歌,文学乃至文化首先要中国人自己来推广和弘扬。只有中国人才对自己的文字、文化理解的最透彻,翻译的最到位。她说,她曾经看过不少国外著名翻译家的翻译文本,对照中文原文后,照样挑出了很多误译和瑕疵,因此她认为,“外国翻译家也不一定靠得住!”。苏菲的言语如此自信、简单和直截。

        不过,苏菲并不是一个自负的人。她知道再好的翻译家,瑕疵和疏漏也在所难免,因此在翻译完一些文稿之后,她都会找一些高校同行、业内翻译家来纠正自己的翻译错漏,而且经常为他们找不出自己的毛病而茶饭不思。
     

    从热爱外语到双语诗人、双语诗歌翻译家



        一般我们都认为,诗歌不可译,因为不同的语言之间有不同的文化背景和语言习惯差异。而苏菲却用自己的亲身经历告诉我们,中西方的文化背景、思维和语言习惯不是不可以超越的。

        大部分中国人一听说学习外语,马上头脑发懵,而苏菲却不是这样。“英语简直就是上帝的语言,太美了!”她热爱外语,完全出于对异国语言和文化魅力的由衷叹服,使她不能自拔。苏菲透露,她学外语的“秘诀”,就是忘掉自己的母语汉语,而完全把外语当成“母语”来学。上大学的时候,她曾经天天在西安外国语大学国花园背诵优美的英语篇章,从最基础的《新概念英语》到英语小说、再到英语诗歌。平时的话,从早上6点一直读到上课,寒暑假就一直读到12点,从未间断。为了能说一口比准流利的BBC 英语,一条BBC英语新闻,苏菲往往会跟读模仿上千次。

    苏菲在花园背诵莎士比亚英语十四行诗 Sophy Chen is Reciting Shakespeare English Sonnets in the Garden

    (苏菲在花园背诵莎士比亚英语十四行诗
    Sophy Chen is Reciting Shakespeare English Sonnets in the Garden)

        大学期间她通读了大量的英文原著,经常让自己变成原著中的主人公,随之喜也随之哀,让自己完全沉浸到英语的语感中,异域的文化隔阂在她的身上渐渐消弭。她还重点颂读了一批英文诗歌,比如华兹华斯的诗全集、莎士比亚的十四行诗、惠特曼的诗等,她不允许她身边的朋友们说汉语,甚至有意规避中文的书刊杂志。这样坚持了几年,使她成为能直接使用英语来思考和创作的人。情急之下或灵感乍来,她心里冒出来的往往是英语而不是汉语。

        热爱是最好的老师,给苏菲带来无尽的生命乐趣。她说,学习外语到一定程度,当她在欣赏英语文学作品,或读到一首优美的诗歌的时候,赞叹和享受语言优美的同时,便会爆发出一种要去转化成汉语的强烈冲动,后来她在读汉语文学作品或诗歌时,也同样有这样的翻译冲动。她走上诗歌翻译道路,纯属对自然、对语言之美和诗歌艺术的内心崇仰。

        一般来说,诗歌翻译是所有文学类别中最难的。如果译者是一位诗人,翻译的质量通常会高于非诗人的翻译。如何消除译入语和译出语之间的隔阂,苏菲的体会是,只有你能写诗并且写得不太差,才能将诗歌翻译好,否则很难真正把握诗歌的语言,当然——如果你能同时用两门语言进行创作,最好不过。苏菲就是一位自己既写诗又做翻译的诗人,而且相对于汉语诗歌创作,她更加拿手的还是英语诗歌。

        苏菲从初一开始接触到诗歌,就被诗歌纯美的魅力所吸引,无论古诗还是新诗都背得滚瓜烂熟,并懵懂地写下了第一首诗。后来上大学,因为是学英语,经常在朗读诗歌或其它作品的时候,被英语语言优美的音色和婉转的韵律所打动。现在,她写的诗歌中有多半都是英文诗歌。苏菲花了很长时间研究英语十四行诗和三俳句的格律,终于创作出了押韵和谐的英语十四行诗和意蕴无限的英语三俳句。现在她会总结那些经典的欧美英文诗和自己所写的英文诗之间的差别,还会拿不同时代、不同作者的英文诗作比较,“因为现在自己也写了很多风格相似的诗歌作品,体会更深刻”。

    《异调》、《胴体向前》 、《花动摇》 封面 Different Tunes,The Body Forward and The Flower Swaying

    (《异调》、《胴体向前》 、《花动摇》 封面 
    Different Tunes,The Body Forward and The Flower Swaying )

        对比诗歌原创和诗歌翻译,苏菲最看重的还是诗歌原创,她认为,没有诗歌原创就没有诗歌翻译。学习外语以来,苏菲写汉语诗歌相对少些,这几年,她创作了不少汉语诗歌,逐渐找回了汉语诗歌原创的感觉,这使她的汉译更加精准和完美;同时,她还经常尝试把自己的英语原创诗歌翻译成汉语,又把汉语原创诗歌翻译成英语,在两门语言原创和转译过程中,深刻体验到两门语言创作的奥妙和它们之间的细微差别。
     

    英语教育产业化助推中国诗歌国际化


     
       大家都知道,诗集翻译出来如果不出版、面市,而只是在网站、微信传播,在现在官方体制内的人看来,恐怕是“小搞搞”,难以登大雅之堂,也无法给进一步的国际交流与合作提供可供参照的资源范本。因此,苏菲自翻译出版了六本中国诗人的诗歌集和零星翻译了不少中国和国际代表诗人的代表作之后,就自然萌生了在国际市场上出版、推广中国诗人合集和国际诗人合集的想法。只有走上翻译、出版、发行、传播一体化的“集成”路线,中国的文学诗歌才能在国际舞台上真正找到立足之地。对于这一点,苏菲在多年与国内外诗人们的交流中深有感悟。而目前,国内除了最权威的官方诗歌选集,最著名的诗人如北岛、海子、舒婷及学院派的一批当代诗人和徐志摩、戴望舒等一批现代诗人之外,个人诗集、年度合编集几乎全部都是自费或找赞助才能出版的。面对诗歌不景气、被边缘化的现实生态,对于一个只靠几千元工资生活的翻译家来说,想要自己推出国内诗人的英译合集或国际选本,即使组稿、翻译不成问题,最大的难题莫过于出版经费问题。

        而除了诗歌翻译,苏菲的另一重身份是英语教师,每周都会去大学轻轻松松地上课、轻轻松松地下课。 她曾经讲过几百人的雅思、托福课,也曾一对一辅导过雅思、托福、考研及高考学生,让他们重新找回英语学习的信心,在短时期内增进英语学习能力,快速提升英语成绩,甚至将原本高考模拟考试50多分的学生,临近高考30天时间,经过苏菲系统辅导,学生高考轻松突破120分。现在她雅思托福的学生大多都在国外毕业了。学生们对苏菲最大的评价是:跟苏菲学习英语最值得骄傲的是,让自己建立了英语学习的自信心,打开了英语语言神秘的大门,对自己的人生起到深远的影响。

        原本,这算得上苏菲美好的英语教学经历,在她从事诗歌翻译后,便戛然而止了。除了上完学校规定的英语课之外,便没有再教授其他同学。因为她觉得,诗歌翻译是高度挑战性的事情,必须要全力以赴才能做好,而不能分心。如果不是因为她谋划的《中国新诗英译年鉴》(暂定名)一直无法筹到赞助出版资金,她可能永远不会往发挥自己英语教育这个天赋上来做文章。

        苏菲希望借助她在英语教学方面的优势,打造苏菲英语教育品牌,为中国诗歌的对外翻译、国际化推广和国际交流筹集资金,助力中国诗歌国际化。对于自己恢宏的远景规划,苏菲表示,她希望借助依靠在诗人圈、文艺圈、英语圈、企业家圈层的个人品牌影响力,逐步推出苏菲教育品牌,针对不同的学生需求开设不同的英语课程,进行网络在线或一对一、小班授课。在不久的将来,苏菲将建立自己的网络教学平台,创办自己的教学课室;开发、编撰从零基础开始一直到雅思、托福、研究生英语教育的教材;利用国际交流合作打通中国文学与诗歌在海外各国的出版、发行渠道,让每一个想在国外出版作品的诗人作家都能提高自己的国际影响力;同时创办诗歌翻译与研究中心,培养中国诗歌翻译和专业化国际化传播人才,最终将中国优秀作家和诗人的作品在国际上发扬光大。

        苏菲说,她的愿望是将苏菲教育做成像“新东方”那样的上市公司,我们衷心祝愿她的所有梦想能够成真!

     

    2016/5/12 中国广州

     

     

    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》

     

      “Translator Sophy Chen: To Promote Chinese Poetry Internationalization By English Education”

    Published by Chinese “Cultural Monthly”
    Written by Chinese Poet Dazang
     
     
    Abstract: Art & Life Section, (semimonthly, June 2016), “Cultural Monthly”, directed by the Chinese Ministry of Culture, published a long article written by Chinese poet Dazang “Translator Sophy Chen: To Promote Chinese Poetry Internationalization by English Education”. Firstly, with the point of view of a culture observer, it reviewed the periodic process of poetry translation, and international poetry spread of Chinese poetry translator Sophy (Sophy Chen), it focused, quoted and expounded her concepts and ideas on Chinese poetry translation and poetry propagation, and it recalled her personal growth process from love foreign languages to a bilingual poetess and a bilingual poetry translator; combined with the current status of Chinese poetry collection’s translation, publication and circulation in the international arena, Sophy Chen, as a translator from her personal services in Chinese poetry, literary and artistic works’ international translation and promotion, made a practical and ambitious idea to promote Chinese poetry internationalization by English education.
    The article of Poet Dazang, mainly described Sophy Chen’s legendary history and translation dreams from the following five aspects:
    Firstly, Sophy Chen: A “Black Horse” Soaring out of Chinese Poetry Translation Profession
    Secondly, the Initial Attempts of Integration of Poetry Translation and Promotion
    Thirdly, Chinese Poetry “Going out”: We Can Not Just Rely on Foreign Translators!
    Fourthly, From Love Foreign Languages to Be a Bilingual Poetess and Bilingual Poetry Translator
    Fifthly, English Education Industrialization Boosting Chinese Poetry Internationalization
    Keywords: Sophy, translator, Chinese poetry, poetry translation, dissemination, promotion, internationalization, English education, industrialization
     
     
    By the continuing voice of “going out” in Chinese literary circles, more and more Chinese poets gradually have not been satisfied with publishing their poetry anthologies in Chinese version, to exchange their ideas in Chinese poetry circles, because they want to be the international poets, wish to publish their own poetry anthologies abroad, and have some opportunities to communicate with foreign poets. Naturally, the poetry translation of these Chinese poets has become an urgent and important issue. So far, the translation work of Chinese poetry in main land of China is in the ascendant, however the professional translators in this profession are very few. — the C-E or E-C bilingual poetess, Sophy Chen, is a “wonderful flower” in the Chinese poetry translation field.
    Sophy Chen: A “Black Horse” Soaring out of Chinese Poetry Translation Profession
    In Chinese literary circles, many poetesses have aroused a lot of people’s attention, such as Shu Ting in 1980s, and Yu Xiuhua soared popularly last year, and etc. However they’ve written poetry in Chinese language, so we Chinese people rarely heard that a Chinese person has written poetry in English language and specialized in C-E or E-C Poetry Translation. The poetess, Sophy Chen, is such a unique poetess and poetry translator.
    In May 2013, the famous Chinese poet Dong Dangzi, got the poetry award “Poetry & People • Poet Award” established by Guangdong poet Huang Lihai, the specially printed booklet of its prize presentation, such as its preface, awards words and prize words translated accurately by Sophy Chen which first aroused Guangdong poets and poetry critic’s attention. Sophy Chen first attracted media’s attention was the “Dushan Legend” of the First Guizhou Poetry Festival in which she was invited to attend as a translator in late 2013, at the same time, the Top Interview Column of the “Guizhou Nation Newspaper” (“National Literature” Weekly), reported of Sophy Chen’s poetry and her poetry translation in the full-page of its first page as the title “Sophy Chen: the Chinese Poetry Translation Into Foreign languages Is Seriously Lagging Behind. In 2014 Sophy Chen was invited to attend the “Phoenix Singing in Spring Hill”, the Fifth Guangzhou Poetess Readings, her standard, fluent BBC English and beautiful, mellow and full English recitation shocked the audience, which showed the different magnificent color of English poetry and its recitation from the Chinese Poetry, and which was quickly spread in the network, and where its amount of video playback was up to 60 million times in total (according to Baidu video statistics), only two video recitation in Cool 6. In August 2014, the Reading Section of Guangdong “Information Times” interviewed with Sophy Chen, in a full-page, by the title: “Sophy Chen: From the Poetry Readings to Going into the Poetry World”, which was reprinted more than 150 media in mainland and overseas, including the website of Chinese Academy of Social Sciences, the China News, Sina.com, Phoenix News, and Taiwan News, etc. She emerged in the mainland poetry translation academia and international poetry forum. In October 2014, she was invited to attend the Second Taiwan, Mainland, and Western Translation Theory / Criticism & “Translating China” Symposium, the National Translation Philosophy & the First Translation and Poetry Symposium, and the First (Baoan) China International Poetry Forum & Famous Poets’ Lectures, as well as the “Hong Kong International Poetry Night” held by poet Beidao, in 2015, etc. In December 2015, she was invited to serve as the jury of the first “DCC Cup” Global Chinese Poetry Contest and to participate in a series of its activities, and she also was invited to issue the awards live to mainland of China and overseas for the first time, through her founded communication platform “Sophy Poetry & Translation Website”, which the local Chinese culture media reprinted it in flocks and on the first day in this news page views reached more than 2,000 times.
    Born at the southern foot of Qinling Mountains, and graduated from the English Department of Xi’an International Studies University, Sophy Chen now is the editor-in-chief of “Sophy Poetry & Translation Website”, the member of Chinese Translation Association, and the Researcher of International Poetry Translation & Research Centre, as well as the guest editor of Multilingual Version “World Poets” Quarterly which is the only one international poetry magazine published in mixed languages. In her free time after her college English teaching, on the one side she provides E-C or C-E translation poems for the magazine regularly, on the other side she focuses on translating poetry of Chinese poets who are willing to publish their poetry collections overseas. At the present, Sophy Chen has translated six Chinese poetry collections of Chinese poets into English, published them in Chinese-English version and has translated more than 100 well-known poets’ master pieces of China and other nations, and also was invited to translate and do the English proofreading of the whole book Chinese-English Reader “Chinese Modern Poetry 300 (1917-2012) and the translation correction of “World Poetry Yearbook 2013”, “World Poetry Yearbook 2014” in English version and so on.
    The Initial Attempts of Integration of Poetry Translation and Promotion
    Mo Yan won the Nobel Literature Prize, which opened a window to the world for Chinese people. However, for a long time, due to the communication barriers of Chinese and foreign languages, the Chinese official literary and poetry circles have not established the strong international exchange mechanisms and effective international communication channels, so the private international translation is more like the sporadic raindrops.
    Sophy Chen has deeply experienced that translation must combine with dissemination and she has also deeply understood the confusion and anxiety of millions of Chinese writers and poets in the process of their works promotion and dissemination. In an effort to translate the excellent Chinese poetry and promote its internationalization, at the same time, commit to the translation, dissemination and exchange of the international outstanding poetry, Sophy Chen founded the first English-Chinese poetry translation website personally in China — “Sophy Poetry & Translation Website” (http://www.sophypoetry.com), and its Chinese version website was first on-line in October, 2014, and in March 2016 it was established a website by the revision in English, and English-Chinese version, which was truly transformed into China’s first personal sponsored international poetry translation website. At the present, its Google’s search has amounted to ten thousands of pieces, Baidu’s search thousands of pieces, its highest daily reading has reached more than 3,000 times, and a single article viewed cumulative amount has been up to nearly 5,000 times. It has been launched as the representative of Chinese and overseas’ well-known translators such as Danis Mair, Zhang Zhizhong and Zhang Zhi, and the representative of Chinese famous poets as Yangke, YISHA and Xiaoxiao. Sophy Chen spent a lot of time for its content editing, successively uploaded the translation works of famous Chinese and overseas’ poets, widely shared them by the international community of poetry, and also uploaded the translated works and her original English poetry to poetry portals around the world for communication and interaction, which have achieved remarkable effects.
    Outside of main land of China at present, Sophy Poetry & Translation Website and English poetess Sophy Chen have grown their manifest influence in the international poetry community. MuteMelodist academic art website of St. George University of India and Macao Monthly have published the articles on Sophy Chen and Sophy Poetry & Translation Website in the full text, the former one also made links on its homepage, and Sophy Chen have gradually received many poetry contribution letters from some international organizations, well-known poetry magazines, and the poets, such as Sophy’s English poetry, Faced with Terrorism, Poetry Is Nothings’ Nothing had been selected into “POETRY AGAINST TERROR”, 2016 Italian global poetry anthology. Meanwhile, by the link of Sophy Poetry & Translation Website and translator Sophy Chen now have incorporated the mainland and abroad translators, including Korean, Arabic, Bengali, Italian, French and other multilingual poetry translators, which are ready to translate and recommend more outstanding works of Chinese poets.
    All of this Sophy Chen did, that is just to have a useful attempt to the integration of translation and dissemination with a sense of responsibility and mission of Chinese poetry. For the huge number of overseas and Chinese poets’ groups and the millions of original poetry every day, this is the only a drop of water in the sea, the more focused, extensive and effective dissemination and translation of Chinese poetry are awaiting more Chinese poetry translators and international groups to involve.
    Chinese Poetry “Going out”: We Can Not Just Rely on Foreign Translators!
    For the Chinese Modern Poetry “going out”, Sophy Chen has her own understanding. For a long time, Chinese classical literature has been regarded as the essence of Chinese culture, and even Goethe, Germany, Pound, the United States, had turned their eyes to China, and at that time the poetry translation was the essence of classical literature. In the process of translation, a large number of advanced Western thoughts and literature, experienced the “May Fourth Movement” the Chinese Modern Poetry has been growing up slowly as a toddler; now going through a century of development, the outstanding Contemporary Modern Poetry, as the most mature literature part of China, has accumulated the rich implication of ideological content and its cultural radiation is limitless, so it is reasonable to promote it actively, and make the readers around the world timely enjoy the splendid Chinese contemporary poetry civilization.
    “Now more and more foreigners also want to keep abreast of the Chinese culture, and the Chinese contemporary poetry, in addition to the fiction, is the most audience attractive global literary genre.” since “Chinese Literature Hot” following by Mo Yan won the Nobel Prize. So far, Chinese Poetry translation is seriously lagging behind. Although in recent years, the translation of
    Chinese poetry into foreign languages is on the rise, by contrast of current trends of economic, social, cultural development of China and communication and exchanges of poetry, it is seriously lagging behind. Sophy Chen said that if the Chinese poetry wants to go out, the Chinese translators must establish confidence to translate Chinese poetry into English, and the Chinese translators should assume the task of poetry translation rather than only put hopes on foreign translators. She believes that Chinese poetry, literature and even culture first should be promoted and carried forward by Chinese people themselves. Only Chinese people can understand our own cultural the most thoroughly and translate it the most perfectly. She said that she had read a lot of famous foreign translators’ translation text, after making a comparison with its original Chinese text, she still picked out a lot of mistranslation and blemishes, so she believes that “foreign translators are not necessarily reliable!” Her words are so confident, simple and straightforward.
    However, Sophy Chen is not a conceited person. She knows that even the best translator, whose defects and omissions are inevitable in their translation works, so after completing some translation documents, she will find some universities’ peers, and fellow translators to correct their mistakes, and she often can not eat anything for they can not find their defects.
    From Love Foreign Languages to Be a Bilingual Poetess and Bilingual Poetry Translator
    Generally, we believe that poetry can not be translated, because there are different cultural background and language habits between different languages. But Sophy Chen has told us by her own personal experience that Chinese and Western cultures, thoughts and habits of languages are beyond.
    When most Chinese people heard that they need to learn a foreign language, they are immediately muddled in their mind, but Sophy Chen is totally different. “English is God’s language really, so beautiful!” She loves the foreign language that is completely because she has sincerely appreciated the charm of foreign languages and their cultural, which made her not escaped. Sophy Chen revealed that her “secret” to learn foreign languages is to forget her native language, Chinese, and to learn the foreign language completely as her “mother tongue”. In college, she had recited some beautiful English articles every day in the National Garden of Xi’an International Studies University, from the most fundamental English, “New Concept English” to novels, and to English poetry. Usually, from 6 am to class to be ready, in summer or winter vacation she’d been read to 12 am, and she’d never stopped to do so. To be able to speak English nicely and fluently as BBC, a piece of BBC English news, Sophy Chen often would imitate and repeat a thousand times.
    During college she read a lot of English original works, she often regards herself as its original heroine, along with to be happy and to be sad, and she completely immersed herself in the English language sense, which gradually eliminated the exotic cultural barriers in her body. She also focused on reading a number of English poetry, such as poems of William Wordsworth, Shakespeare’s sonnets, Whitman’s poems, etc., she did not allow her friends say Chinese, even deliberately circumvent Chinese books and magazines. Being insisted on it for a few years, it made her a person who could directly think in English and write in English. In a moment of her inspiration or desperation, what came out of her mind often is English rather than Chinese.
    Love is the best teacher, which gives Sophy Chen endless fun of life. She said that after she had learned a foreign language to a certain extent, when she was appreciating of an English work, or reading a beautiful poem, praising and enjoying the beautiful language, at the same time, it would erupt into a kind of strong urge to transform them into Chinese, and later when she read Chinese works or poetry, she also had such impulses. She started going on the road of poetry translation, it is purely because she enshrines natural, beauty of language and art of poetry in her heart.
    In general, poetry translation is the most difficult style in all literature. If a translator is a poet, his translation quality is generally higher than the non poet translator. How to bridge the gap between the target language and translated language, Sophy Chen’s experience is that only you can write poetry, not so bad, can you translate poetry perfectly, otherwise it would be so difficult to grasp the language of poetry, of course — If you can simultaneously write by two languages, it would be better. Sophy Chen is a poetess who not only can translate poetry but also can write poetry. Relative to her Chinese poetry writing, she is good at English poetry writing.
    When Sophy Chen started to contact with poetry at the first year of middle school, she was attracted by the charm of pure poetry, whatever the modern poetry or ancient poetry she would like to recite them by heart, and then she ignorantly wrote her first poem. Later in the university, because it was to learn English, when she often read English poetry or other works, she always was impressed by the beautiful sounds of English language and its indirect rhythm. Now, among her poems, most of them are English poetry. Sophy Chen spent a lot of time to study meter of English sonnets and haiku, and she finally created her own English sonnets with harmonious rhymes and English haiku with unlimited implication. Now she not only can summarize their differences from European and American classic English poetry to her own English poetry, but also she can compare her English poems to English poems of different times and different authors, “because now she wrote many similar style poems himself, with more profound experience.”
    To compare with original poetry and poetry translation, what the most important in her mind is her original poetry, Sophy Chen believes that there is no original poetry, there is no poetry translation. Since learning a foreign language, she wrote Chinese poetry relatively less than English poetry, in recent years, she has created a lot of Chinese poetry, and gradually rediscovered her original feeling of Chinese poetry writing, which makes her poetry translation works E-C even more accurate and perfect; at the same time, she often tries to translate her own original English poetry into Chinese, and again to translate her original Chinese poetry into English, in the original creation and translation process of two languages, Sophy Chen has profoundly experienced the creation secrets of two languages and nuances between them.
    English Education Industrialization Boosting Chinese Poetry Internationalization
    As we all know that if the translated poetry collections had not been published and well sold in the book market, and only spread at websites, WeChat, and etc, they were probably the humble “Personal Action,” in the people’s eyes of official institutions and probably not only the “small trouble to make,” but also unable to give further international exchanges and cooperation to provide resources for reference template. Thus, after translated and published six Chinese poet’s poetry collections and some representatives of Chinese poets and international poets’ masterpieces, Sophy Chen naturally initiated her idea to translate the Chinese poets’ and international poets’ poetry collections to publish and promote them in the international book market. Only embarking on translation, publishing, distribution, and “integrated” line of communication integration, Chinese literary and poetry can really find a foothold in the international stage. For this, Sophy Chen has a deep understanding in the past few years to exchange of ideas with Chinese and foreign poets. At present, in mainland of China, apart from those most authoritative official poetry anthologies, the most famous academic group of contemporary poets, as Bei Dao, Haizi, Shu Ting, and a number of modern poets, as Xu Zhimo, and Dai Wangshu, another poets’ poetry collections and the poetry yearbooks, are almost entirely at their own expense or find sponsorship to publishing. In the face of poetry’s recession, and poetry’s ecological reality of being marginalized, a translator who has only relied on a few thousand Yuan for a living, wants to launch the English translation collections of Chinese poets or international poets’ Chinese anthologies, even the soliciting contributions and translation is not a problem, well the cost of publication is the biggest problem.
    In addition to poetry translation, Sophy Chen’s another social character is an English teacher, she will go Universities to have her classes in leisure and finish her classes in leisure every week. She once taught hundreds of people’s IELTS, TOEFL, postgraduate’s English examination courses, and even the college entrance English examination courses, which made her students’ regain their English learning confidence, enhance their English learning ability, and improve their English score rapidly in the very short time and even help the students whose original entrance exams were 50s, near the college entrance English examination only 30 days, by Sophy Chen’s profound taught, those students’ score were easily broken 120 points in the college entrance English examination. Now her students of her IELTS and TOEFL classes have mostly graduated abroad. The largest evaluation of her students is: the most proud of learning English with Sophy Chen is to have established their own self-confidence in English learning, opened the door to the mystery of English language and had a profound impact on their life.
    Originally, this could be considered as Sophy Chens’ better English teaching experience, but it had been halted up after her poetry translation. In addition to finish the English classes provided by her school, she no longer teaches other students. Because she felt that poetry translation was a highly challenging thing, she must try her best to do and could not be distracted. If not for her plan of “Chinese Contemporary Poetry Translation Yearbook” (tentative name) has been unable to raise funds to sponsor the publication, she may never think of her talent in English education and develop her teaching talent.
    Now Sophy Chen’s dreams are she hopes she can build her English education brand by the advantage of her English teaching, and raise funds for Chinese poetry translation, international promotion and exchange, and give her hands to Chinese poetry internationalization. It is always good to have a dream, but the key is that we need the effective approaches, methods and steps to realize it. In this regard, Sophy Chen has her own grand vision between her joyous words full of longing feelings. Now, she is hoping to rely on her own personal brand influence among poets’ circles, literary circles, English circles, and entrepreneurs’ circles, and gradually build Sophy education brand and give different English courses for different needs of students by online live or one-to-one teaching or small classes. In the near future, Sophy Chen would like to establish her own network teaching platform, and start her own online live classroom; she would like to develop and compile her own education materials from the every beginning, the zero based English foundation to IELTS, TOEFL and graduate English and even poetry translation; she would like to open up Chinese literature and poetry publishing and distribution channels in oversea countries by the international exchange and cooperation, so that make every poet or writer who wants to publish her or his works to improve his international influence; at the same time she would like to create the Poetry Translation and Research Center to cultivate the Chinese poetry translation talents and specialized and international Chinese culture spreading talents, and eventually flourish the works of Chinese outstanding writers and poets internationalized.
    Sophy Chen said that her wish is to make Sophy Education a public company as “New Oriental”. Let us sincerely wish all of her dreams can be true!
     
    2016-05-12 Guangzhou, China
    Translated by Sophy Chen 2016-06-25 Guangzhou, China
     
     

    ~~~~~~~~~~~转载请注明出处、作者、链接,并携带以下信息!~~~~~~~~~~
     
     

    苏菲英语讲坛在线直播


    翻译家 苏菲 广州大学城开坛讲授英语,7月初上课!


    Sophy English Forum

    苏 菲 英 语 讲 坛



    讲授课程


    雅思/托福/考研 英语

    精品英语口语
    英汉诗歌翻译
    英语诗歌写作
    零基础英语长线班
    英语发音与播音主持


    授课特色:


    1 柔美的BBC 英语,课堂亲和力极强

    2 交互式,多同学视频互动口语操练
    3 这里没有技巧只有扎实的基本功
    4 消除所有英语长难句和复杂篇章
    5 积极培养翻译家后备人才


    授课方式:在线直播/面授


    授课地点 : 广州大学城


     主讲人:苏菲(Sophy Chen)


    中国当代女诗人、翻译家,美国英语“传奇诗人”。
    国际翻译家奖获得者,中国当代诗歌奖
    “翻译奖”获得者,出版英译诗歌集6部。

     咨询电话/微信: 18201007874
     咨询Q Q /微信: 2139528010

                

    苏菲英语讲坛在线直播平台
    苏菲诗歌&国际翻译网

  • [全站置顶]苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen[10-05](111)

     苏菲诗歌翻译收费标准和合作模式实施草案~苏菲Sophy Chen

     

    一、苏菲诗歌翻译的前提:

    1、必须是苏菲本人喜欢的诗歌作品;
    2、不在纸质刊物发表、出版以及参加诗歌节活动的单首诗歌和诗歌集一概不翻译;
    3、不签订出版合同的诗歌集不翻译;
    4、不签翻译家姓名的任何作品不翻译;
    5、不尊重翻译家,讨价还价的不翻译;
    6、先付翻译费后翻译;
    7、苏菲个人主编的诗歌选集和诗歌翻译报刊,如有赞助,翻译费另行商议。

     

     

    二、苏菲诗歌翻译合作模式

    1、直接支付翻译费用或赞助翻译费(具体收费见下表);
    2、苏菲英语讲坛招生资源互换:如果诗人在当地有一定的社会招生资源,依据实际所招缴费的英语学习者人数,苏菲为其翻译相当行数的诗歌代表作;
    3、研究院所、高等院校、作家协会、文化出版机构、培训机构等与“苏菲诗歌翻译”或“苏菲英语讲坛”项目合作,具体可商谈。

      

    三、苏菲诗歌翻译收费标准

    翻译分项
    收费标准(¥) 转换语种
    新诗 15元以上/行 汉译英/英译汉
    古体诗 30元以上/句 汉译英/英译汉
    散文诗 100元以上/百字 汉译英/英译汉
    学术论文 1000元以上/千字 汉译英/英译汉
    散文、随笔 800元以上/千字 汉译英/英译汉
    小说 8000元以上/万字 汉译英/英译汉
    影视剧本 价格面议 汉译英/英译汉

     

    翻译稿件预审邮箱:478674384@qq.com
    银行账户:中国工商银行:622202 360202 8164168 陈丽华

     

    苏菲简介:

    苏菲(Sophy Chen),本名陈丽华,中国当代女诗人、翻译家。美国英语“传奇诗人”。“苏菲诗歌&翻译网”创办人。苏菲英语讲坛创办者和主讲人。毕业于西安外国语大学英文学院。
    获2012年度“国际最佳翻译家奖”。“中国当代诗歌奖”(2013—2014)翻译奖。
    出版英译诗歌集六部:《花动摇》、《藏香》、《生之瞭望》、《异调》、《胴体向前》、《白娘子诗传》。

     

     


    苏菲诗歌&国际翻译网

    www.sophypoetry.com

    二零一六年十月五日

     

  • [栏目置顶]女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)[09-04](325)

    [享受生活 我的书房]

    女诗人苏菲:从朗诵开始进入诗歌天地

    大洋新闻 时间: 2014-08-18 来源: 信息时报

    【书房主人】

     
     
    苏菲(Sophy Chen)
     
    中国当代女诗人、翻译家。英文名Sophy Chen,本名陈丽华。毕业于西安外国语大学英文学院,英语语言文学硕士,在外语类院校任教至今。现为国际诗歌翻译研究中心研究员、混语版《世界诗人》季刊客座副总编、中国翻译协会会员。1989年开始汉语诗歌写作,2004年开始英文诗歌写作,并在各大报刊发表英汉双语诗歌和英汉双语诗歌翻译作品。曾参与汉英读本《中国新诗300首(1917—2012)》部分作品的英译及全书的英文校对。审译纯英文版《世界诗歌年鉴2013》。2012年,获国际知名英语诗歌专业网站POETRY.COM授予的“传奇诗人称号”,同年获IPTRC颁发的2012年度国际最佳翻译家奖。出版英译诗歌集:《花动摇》(赵兴中原著)、《藏香》(女诗人 紫影原著)。
    本版采写  信息时报记者 潘小娴  实习生 阚文婧 本版摄影  信息时报记者 陈文杰

        苏菲的书房不大,但是显得非常有文艺女青年的清新风范:装满英语原版书的小巧书柜,乳白色的窗帘,一盆悬挂着的绿萝,两小瓶插着的羞天草,绿意盎然,淡雅清新。在这样的氛围里写诗译诗,真惬意也!



    苏菲的书房,绿意盎然,淡雅清新。
     
    从朗诵开始进入诗歌天地
    从事英汉双语诗歌创作与翻译的苏菲,早年一直读的是古典传统诗歌,而她与新诗结缘,相对晚些,是从初一开始的,当时读了一些汪国真、席慕蓉的诗集,很纯美,对写诗有懵懂的感觉,也从中受到了一些启发,并尝试着写下了第一首诗歌。苏菲说:“虽然我上初一的时候才开始真正接触新诗,但是从初中到高三毕业,课文里面出现的不论是古诗新诗,我全都背得滚瓜烂熟,甚至可以倒背如流。在背诵的过程中,能感受到诗歌的声音美、音乐美,这是一种非常享受的过程。”
    上大学时,学的是外语专业,视野开阔了,觉得英语很美,看到一些比较唯美的句子,也会摘抄下来。一开始读了英语的床头灯系列小说,都是世界名著的简写本。到大三大四她就转读英文的原著,如《简爱》、《呼啸山庄》、《飘》等。
    对于学外语的人而言,早上的朗诵是非常重要的。苏菲说:“我在早上会去校园的一个小花园里朗读。每天早晨6点开始一直朗读到8点,然后去上课。如果是寒暑假就从6点一直朗读到12点。四年本科从未停止早读,刚开始是朗读,到后面就开始背诵诗歌,比如华兹华斯的诗全集、莎士比亚的十四行诗等。”
    光背是没意思的,要一边听 ,一遍背,一边学会欣赏。“我学外语的时候用录音机听了一千多盘磁带,我一天听六个小时,一个录音机顶多三年就不能用了,所以光录音机我就听坏了七个。当时买一台录音机要七八百元,真的不便宜,但我这个人有个特点,只要跟我学习和阅读有关的,再贵我都舍得买。”
    “如果只是看诗的话,那只是一种视觉上的美;但如果诗歌朗读出来、背诵出来的话,就别有一番意想不到的效果,可以通过声音去感受它的韵律美形象美。”苏菲说,现在她依然还在背诵诗歌,并且还喜欢重新背诵以前背过的诗歌,比如华兹华斯的诗全集和惠特曼的诗全集等,重背的感觉和学生时代的背诵不一样,“我会总结这些诗和我所写的英文诗之间的差别,还会和其他的一些十四行诗作比较。因为现在自己也写了很多风格相似的诗歌作品,体会更深刻。”
     
     

    苏菲的翻译作品
     
     
    翻译,让我享受最美的人生状态
    “可以说,就是因为背诵的英语诗歌多了,我才能成为一位英语诗人。当然除了背诵英语诗歌,我也朗诵了很多唐诗宋词之类的汉语诗歌,在读汉语诗歌的过程中,我觉得这种语言特别美,于是就手痒痒的,想把汉语诗歌翻译成外文了。”苏菲如此总结自己是如何走上双语翻译之路的。
    苏菲最早翻译的是唐诗宋词等古诗词,难度比较大,翻译一首诗常常要一个礼拜,琢磨又琢磨才敢拿出来给别人看。2009年来广州后,广州的民间诗歌活动非常活跃,加上又频繁接触互联网,她看到了很多优秀的现代诗作品,于是,她就把一些好的现代诗翻译成英文放到自己的博客里。后来翻译得多了,《世界诗人》的主编张智先生就请她来做诗歌的翻译,现在她还是混语版《世界诗人》季刊的客座副总编。苏菲开心地说:“好玩的是,我可能是翻译和创作英语诗歌多了,在特别有灵感的时候,大脑里冒出来的是英语而不是汉语。所以我觉得自己写得最优秀的作品都是英语诗歌。”
    相对于小说、散文来说,现在关注诗歌的人更少一些,而苏菲是从事诗歌翻译,关注的受众更是少之又少。而且诗歌翻译又是个苦差事,因为历来有那么一个说法“诗歌不可译”。那么从事诗歌翻译会不会觉得寂寞呢?对这个问题,苏菲却回答说:“我觉得特别享受,因为这是我的兴趣所在。我除了上课,就是看书、翻译,其他的兴趣比较少。如果精神状况好,不累的话,每天大概翻译十一、二个小时;如果累的话,可能六个小时就结束了,其余的时间就去公园转转,听听音乐,有时也看一些国外电影,这个听和看的过程也是学习阅读的新过程。出版社给的任务是让我一年出版5本汉译英的书,别人认为我过得苦,其实对于我来说现在的状况是最美的——没有任何牵挂和负担,可以相对自由地追求自己热爱的翻译。
     
    阅读私生活
    信息时报:你的书房外文书籍很多,中文书籍占多少比例?
    苏菲:我书房的英文书占百分之七十,中文书籍占百分之三十。英文书籍以诗歌和小说为主中文书籍以散文和诗歌为主,当代中国小说我读得少。
     
    信息时报:请问你读书时有没什么习惯?你在床头上喜欢放书吗?
    苏菲:我看书是从前言开始一路看下去的,我看得很仔细,很慢。我读书从来不讲速度,也不规定每天看多少页,只喜欢随心所欲,边看边欣赏,边看边体会。我喜欢在睡前看上一两页书,所以,我的床头会放一些我近期看的书,有时候睡觉时脑中还会浮现书中那些场景,甚至做梦也会出现书中的一些情节,这挺有趣的。
     
    信息时报:你现在正在翻译的是什么作品?
    苏菲:我之前翻译过《花动摇》和《藏香》这两部诗歌作品,现在手头翻译的是我的第三部汉译英诗歌集,是一位80后的重庆诗人杨若鹏的诗集《生之瞭望》。
     
    信息时报:你会借书给别人吗?
    苏菲:我这人有一个毛病,书从来不借人。你要看我的书,就在我家看,但是书不能带走。特别是我背过的、啃过的书,做了很多笔记,那是绝对不能丢的,所以不愿意借给别人。我从小学一年级起的课本和作业本都保留着,都是按顺序归类放好的,堆积了几大箱。
    如果是我穿过的衣服丢了我不觉得伤心,但如果是我看过的书丢了,那我可能几天都吃不下饭了。我上大四的时候,有一个男同学要借我的英文版《呼啸山庄》,当时这本书的字里行间记下了我的很多读书感觉与笔记,我实在不舍得借。于是我说给他300元钱让他去买一本新的,但他不愿意,非得借我这本。没办法我只好借给了他,当时正值暑假,书借给他后,我老是担心书丢了,弄得我寝食不安,于是经常发短信问他书看完没有,并提醒他开学一定要把《呼啸山庄》带回给我。
     
    信息时报:你买书一般是在网上还是去书店?
    苏菲:刚来广州时,去广州购书中心买,还去海珠区的图书批发市场买过。现在买书几乎都是在网上买,主要买的是国外的一些诗歌理论、诗歌原著等。这种国外原版的书一般比较贵,但我从来不嫌书贵。因为书对我而言是最重要的,花再多的钱也毫不心疼。

      

  • 《文化月刊》刊发文章《翻译家苏菲:用英语教育推动中国诗歌国际化》(作者:大藏)[06-26](126)

     

    《翻译家苏菲:用英语教育推动中国诗歌国际化》


    (《文化月刊》2016年6月号上半月刊)

    作者:大藏

    “Translator Sophy Chen: To Promote Chinese Poetry Internationalization By English Education”

    Published by Chinese “Cultural Monthly”
    Written by Chinese Poet Dazang

     

    摘要:文化部主管刊物《文化月刊》艺术人生栏目(2016年6月号上半月刊),刊发了诗人大藏的长篇文章《翻译家苏菲:用英语教育推动中国诗歌国际化》。文章首先以一个文化观察者的角度综述了中国诗歌翻译家苏菲(Sophy Chen)的诗歌翻译、国际诗歌传播的阶段性历程,同时重点转引与阐明了苏菲关于中国诗歌翻译与诗歌传播的理念与思路,回顾了苏菲从热爱外语到双语诗人、双语诗歌翻译家的个人成长历程;结合目前中国诗歌集对外翻译和在国际上出版与流通的现状,苏菲从翻译家个人服务于中国诗歌与文艺作品的国际翻译与推广的角度,提出以英语教育产业化来推动中国诗歌国际化的的可行性构想宏图。
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    大藏的文章,主要从以下五个方面来叙写苏菲的传奇历程与翻译梦想:
    一、中国诗歌翻译界飙出的一匹“黑马”
    二、诗歌翻译与推广传播一体化的最初尝试
    三、中国诗歌“走出去”不能只依赖外国翻译家
    四、从热爱外语到双语诗人、双语诗歌翻译家
    五、英语教育产业化助推中国诗歌国际化

    关键词:苏菲、翻译家、中国诗歌、诗歌翻译、传播推广、国际化、英语教育、产业化

      

    Sophy Chen on Open Class of IELTS & TOEFL

    (苏菲在讲雅思托福英语公开课 Sophy Chen on Open Class of IELTS & TOEFL )

     

     

    翻译家苏菲:用英语教育推动中国诗歌国际化


    作者:大藏

    Translator Sophy Chen: To Promote Chinese Poetry Internationalization by English Education

    By Chinese Poet Dazang

     

        国内文学界“走出去”的呼声不断,越来越多的中国诗人,已渐渐不满足于出版中文版诗集、在汉语圈内的诗歌交流,他们想要成为国际性诗人,希望能在国外出版自己的诗集,有机会与国外诗人们进行交流。自然,这些汉语诗人诗歌作品的翻译,就成为一个迫切而重要的课题。目前,国内汉语诗歌的翻译工作方兴未艾,而专业从事这个行业的国内翻译家却寥若晨星。——英汉双语诗人苏菲,就是中国诗歌翻译界的一朵“奇葩”。
     

    苏菲:中国诗歌翻译界飙出的一匹“黑马”



        中国诗坛,很多女诗人都曾引起人们的高度关注,比如80年代的舒婷,去年飙红的余秀华等。但她们都是用汉语写作,极少听说有中国人用英语写诗且专门从事汉译英诗歌翻译的。女诗人苏菲,就是这样一位与众不同的诗人兼翻译家。

        2013年5月,著名诗人东荡子获得广东诗人黄礼孩设立的“诗歌与人·诗人奖”,苏菲对该次颁奖特别印制的册子前言、颁奖词、授奖词等的精准翻译,首先引起了广东诗人、诗评家的关注。苏菲首次引起媒体关注,是在2013年底应邀出席的“独山传奇”首届贵州诗歌节,当时,《贵州民族报》(《民族文学》周刊)高端访谈栏目,以《苏菲:“中国诗歌的对外翻译严重滞后”》为标题整版报道了苏菲的诗歌创作与翻译。2014年苏菲应邀出席“春山凤鸣”广州第五届女诗人朗诵会,她以标准流利的BBC英语和婉转优美的英文朗诵震惊全场,展示了英语诗歌与英语朗诵不同于汉语诗歌的瑰丽色彩,当时的英文诗歌朗诵在网络迅速流传,其中单单两个在酷6网上传的朗诵视频播放量合计就高达60多万次(据百度视频统计)。2014年8月,广东《信息时报》读书栏目,以《苏菲:从朗诵进入诗歌天地》整版篇幅采访了苏菲,大陆及海外超过150家媒体,包括中国社科院网、中国新闻网、新浪网、凤凰新闻网、台湾新闻网等转载。2014年10月,苏菲应邀出席第二届两岸西方翻译理论再思/批判暨“翻译中国”学术研讨会、全国翻译哲学暨首届翻译与诗学研讨会、首届中国(宝安)国际诗歌论坛暨名家诗歌讲座,以及2015年北岛主持的“香港国际诗歌之夜”等,在国内翻译学术界和国际诗歌论坛斩露头角。2015年12月,苏菲受邀担任首届“DCC杯”全球华人诗歌大奖赛评委并参加系列活动,并通过她创办的“苏菲诗歌&翻译网”传播平台,第一时间向国内外发布了大奖赛的颁奖实况,各地华语文化媒体纷至沓来,该新闻页面当天的浏览量就高达2000余次。

    Sophy Chen & Poet Beidao 苏菲与北岛合影

    (苏菲与北岛合影 Sophy Chen & Poet Beidao )

    ("DCC杯"全球华文诗歌大奖赛评委合影 
    The Judges of"DCC Cup"Global Chinese Poetry Contest )

        出生于秦岭南麓、毕业于西安外国语大学英文学院的苏菲,现在是“苏菲诗歌&翻译网”主编、中国翻译协会会员、国际诗歌翻译研究中心研究员,同时是目前全球唯一一份以多种语言对照出版的国际性诗刊——混语版《世界诗人》季刊的客座总编。苏菲在从事高校英语教学之余,一边为该杂志定期翻译提供英汉或汉英翻译诗稿,一边专注于翻译有意在海外出版的华语诗人诗集。目前,苏菲已经把国内六位诗人的汉语诗歌集翻译成英语,汉英对照出版,为中国和世界100多位知名诗人翻译过代表性诗歌作品,并参与汉英读本《中国新诗300首(1917—2012)》作品的英译及全书英文校对,负责审译纯英文版《世界诗歌年鉴2013》、《世界诗歌年鉴2014》等。
     

    诗歌翻译与推广传播一体化的最初尝试

     

       莫言获得诺贝尔文学奖,为国人打开了一扇世界的窗户。但长期以来,由于中外语言沟通的障碍,中国官方的文坛诗界还没有建立起有力的国际交流机制和有效的国际传播渠道,民间的国际翻译更如零星雨点。

        苏菲深切地感受到翻译必须和传播相结合,也深切理解数以百万计的中国作家与诗人在对外推广和传播方面的困惑和焦灼。为了致力于中国优秀诗歌的翻译与国际化推广,同时致力于国际优秀诗歌的翻译与传播交流,苏菲创办了中国首家英汉对照个人诗歌翻译网——“苏菲诗歌&翻译网”(http://www.sophypoetry.com),2014年10月汉语版首先上线,2016年3月网站经改版建立了英文版、英汉对照版,名副其实成为中国首家由翻译家个人主办的国际诗歌翻译网。目前网站在谷歌的搜索抓取量达上万条,百度的搜索几千条,最高日访问量达到3000余次,单篇文章累计阅览量最高达近5000次。网站已推出以梅丹理、张智中、张智等为代表的中外著名翻译家和以杨克、伊沙、潇潇为代表的中国著名诗人。苏菲花了大量时间进行网站内容编辑,陆续将翻译的国内外知名诗人的诗歌作品上传,通过分享到国际诗歌社区进行广泛推广,还通过上传翻译作品和原创英文诗歌到全球各诗歌门户网站进行传播和互动交流,均取得了显著成效。

    Poetess & Translator Sophy Chen 女诗人、翻译家苏菲

    (女诗人、翻译家苏菲 Poetess & Translator Sophy Chen )

        目前在大陆以外,苏菲诗歌&翻译网和英语诗人苏菲在国际诗歌社区的影响力日渐彰显。印度圣乔治大学MuteMelodist学术艺术网和《澳门月刊》全文刊发了对苏菲诗歌&翻译网和翻译家苏菲的整体介绍,前者的网站首页还做了链接,苏菲陆续收到不少来自国际诗歌团体和著名诗刊、诗人的约稿函,如苏菲的英语诗歌《面对恐怖主义,诗歌是一无是处的是处》就曾入选POETRY AGAINST TERROR《反恐诗歌》2016意大利全球诗歌选本。同时,以苏菲诗歌翻译网和翻译家苏菲为纽带,目前已整合了国外包括韩语、阿拉伯语、孟加拉语、意大利语、法语等多语种诗歌翻译家,准备一起翻译(或转译)、推介更多中国诗人的优秀作品。

        苏菲所做的这一切,只是出于对中国诗歌的一份责任感和使命感,而做的翻译与传播一体化的有益尝试。对于海内外数量庞大的华语诗人群体和每天数以百万计的原创诗歌数量来说,只能是沧海之一粟,更集中、更广泛、更有成效的中国诗歌翻译和传播,正等待更多的中国诗歌翻译家和国际化团体参与。
     

    中国诗歌“走出去”:不能只依赖外国翻译家!



        对于中国当代诗歌“走出去”,苏菲有自己的认识。长期以来,中国古典文学,一直被看作是中国文化的精髓,甚至连德国的歌德、美国的庞德,都曾将目光转向了中国,那个时候被译介的诗词是古典文学中的精粹。中国经历了“五四”,在大量译介西方先进的思想与文学著作的过程中,新诗才蹒跚学步慢慢地成长起来;而现在经历了百年发展,当代优秀新诗,作为中国文学最成熟的部分,已经积累了蕴涵丰厚的思想内容,文化辐射力无可限量,因此有理由积极推广,让全世界的读者及时欣赏到璀璨的中国现当代诗歌文明。

    苏菲与埃及诗人翻译家赛义德-顾得、香港诗人秀实合影 Sophy Chen,Egyptian Poet & Translator SayedGude,& HongKong Poet Peter Liang

    (苏菲与埃及诗人翻译家赛义德-顾得、香港诗人秀实合影
    Sophy Chen,Egyptian Poet & Translator SayedGude,& HongKong Poet Peter Liang)

        “现在越来越多的老外也想要及时了解中国文化,而当代诗歌,是继莫言获诺奖‘中国文学热’以来,除小说以外最吸引全球读者的文学体裁。”目前中国诗歌的对外翻译严重滞后。虽说近年来诗歌对外翻译有上升的趋势,可是相对中国目前经济、社会、文化的发展现状和诗歌自身的传播交流趋势来说,是严重滞后的。苏菲说,中国诗歌要走出去,中国翻译家首先要建立诗歌英译的坚定信心。中国翻译家要承担起诗歌翻译的重任,而不应该仅仅把希望寄托在外国翻译家的身上。她认为,中国诗歌,文学乃至文化首先要中国人自己来推广和弘扬。只有中国人才对自己的文字、文化理解的最透彻,翻译的最到位。她说,她曾经看过不少国外著名翻译家的翻译文本,对照中文原文后,照样挑出了很多误译和瑕疵,因此她认为,“外国翻译家也不一定靠得住!”。苏菲的言语如此自信、简单和直截。

        不过,苏菲并不是一个自负的人。她知道再好的翻译家,瑕疵和疏漏也在所难免,因此在翻译完一些文稿之后,她都会找一些高校同行、业内翻译家来纠正自己的翻译错漏,而且经常为他们找不出自己的毛病而茶饭不思。
     

    从热爱外语到双语诗人、双语诗歌翻译家



        一般我们都认为,诗歌不可译,因为不同的语言之间有不同的文化背景和语言习惯差异。而苏菲却用自己的亲身经历告诉我们,中西方的文化背景、思维和语言习惯不是不可以超越的。

        大部分中国人一听说学习外语,马上头脑发懵,而苏菲却不是这样。“英语简直就是上帝的语言,太美了!”她热爱外语,完全出于对异国语言和文化魅力的由衷叹服,使她不能自拔。苏菲透露,她学外语的“秘诀”,就是忘掉自己的母语汉语,而完全把外语当成“母语”来学。上大学的时候,她曾经天天在西安外国语大学国花园背诵优美的英语篇章,从最基础的《新概念英语》到英语小说、再到英语诗歌。平时的话,从早上6点一直读到上课,寒暑假就一直读到12点,从未间断。为了能说一口比准流利的BBC 英语,一条BBC英语新闻,苏菲往往会跟读模仿上千次。

    苏菲在花园背诵莎士比亚英语十四行诗 Sophy Chen is Reciting Shakespeare English Sonnets in the Garden

    (苏菲在花园背诵莎士比亚英语十四行诗
    Sophy Chen is Reciting Shakespeare English Sonnets in the Garden)

        大学期间她通读了大量的英文原著,经常让自己变成原著中的主人公,随之喜也随之哀,让自己完全沉浸到英语的语感中,异域的文化隔阂在她的身上渐渐消弭。她还重点颂读了一批英文诗歌,比如华兹华斯的诗全集、莎士比亚的十四行诗、惠特曼的诗等,她不允许她身边的朋友们说汉语,甚至有意规避中文的书刊杂志。这样坚持了几年,使她成为能直接使用英语来思考和创作的人。情急之下或灵感乍来,她心里冒出来的往往是英语而不是汉语。

        热爱是最好的老师,给苏菲带来无尽的生命乐趣。她说,学习外语到一定程度,当她在欣赏英语文学作品,或读到一首优美的诗歌的时候,赞叹和享受语言优美的同时,便会爆发出一种要去转化成汉语的强烈冲动,后来她在读汉语文学作品或诗歌时,也同样有这样的翻译冲动。她走上诗歌翻译道路,纯属对自然、对语言之美和诗歌艺术的内心崇仰。

        一般来说,诗歌翻译是所有文学类别中最难的。如果译者是一位诗人,翻译的质量通常会高于非诗人的翻译。如何消除译入语和译出语之间的隔阂,苏菲的体会是,只有你能写诗并且写得不太差,才能将诗歌翻译好,否则很难真正把握诗歌的语言,当然——如果你能同时用两门语言进行创作,最好不过。苏菲就是一位自己既写诗又做翻译的诗人,而且相对于汉语诗歌创作,她更加拿手的还是英语诗歌。

        苏菲从初一开始接触到诗歌,就被诗歌纯美的魅力所吸引,无论古诗还是新诗都背得滚瓜烂熟,并懵懂地写下了第一首诗。后来上大学,因为是学英语,经常在朗读诗歌或其它作品的时候,被英语语言优美的音色和婉转的韵律所打动。现在,她写的诗歌中有多半都是英文诗歌。苏菲花了很长时间研究英语十四行诗和三俳句的格律,终于创作出了押韵和谐的英语十四行诗和意蕴无限的英语三俳句。现在她会总结那些经典的欧美英文诗和自己所写的英文诗之间的差别,还会拿不同时代、不同作者的英文诗作比较,“因为现在自己也写了很多风格相似的诗歌作品,体会更深刻”。

    《异调》、《胴体向前》 、《花动摇》 封面 Different Tunes,The Body Forward and The Flower Swaying

    (《异调》、《胴体向前》 、《花动摇》 封面 
    Different Tunes,The Body Forward and The Flower Swaying )

        对比诗歌原创和诗歌翻译,苏菲最看重的还是诗歌原创,她认为,没有诗歌原创就没有诗歌翻译。学习外语以来,苏菲写汉语诗歌相对少些,这几年,她创作了不少汉语诗歌,逐渐找回了汉语诗歌原创的感觉,这使她的汉译更加精准和完美;同时,她还经常尝试把自己的英语原创诗歌翻译成汉语,又把汉语原创诗歌翻译成英语,在两门语言原创和转译过程中,深刻体验到两门语言创作的奥妙和它们之间的细微差别。
     

    英语教育产业化助推中国诗歌国际化


     
       大家都知道,诗集翻译出来如果不出版、面市,而只是在网站、微信传播,在现在官方体制内的人看来,恐怕是“小搞搞”,难以登大雅之堂,也无法给进一步的国际交流与合作提供可供参照的资源范本。因此,苏菲自翻译出版了六本中国诗人的诗歌集和零星翻译了不少中国和国际代表诗人的代表作之后,就自然萌生了在国际市场上出版、推广中国诗人合集和国际诗人合集的想法。只有走上翻译、出版、发行、传播一体化的“集成”路线,中国的文学诗歌才能在国际舞台上真正找到立足之地。对于这一点,苏菲在多年与国内外诗人们的交流中深有感悟。而目前,国内除了最权威的官方诗歌选集,最著名的诗人如北岛、海子、舒婷及学院派的一批当代诗人和徐志摩、戴望舒等一批现代诗人之外,个人诗集、年度合编集几乎全部都是自费或找赞助才能出版的。面对诗歌不景气、被边缘化的现实生态,对于一个只靠几千元工资生活的翻译家来说,想要自己推出国内诗人的英译合集或国际选本,即使组稿、翻译不成问题,最大的难题莫过于出版经费问题。

        而除了诗歌翻译,苏菲的另一重身份是英语教师,每周都会去大学轻轻松松地上课、轻轻松松地下课。 她曾经讲过几百人的雅思、托福课,也曾一对一辅导过雅思、托福、考研及高考学生,让他们重新找回英语学习的信心,在短时期内增进英语学习能力,快速提升英语成绩,甚至将原本高考模拟考试50多分的学生,临近高考30天时间,经过苏菲系统辅导,学生高考轻松突破120分。现在她雅思托福的学生大多都在国外毕业了。学生们对苏菲最大的评价是:跟苏菲学习英语最值得骄傲的是,让自己建立了英语学习的自信心,打开了英语语言神秘的大门,对自己的人生起到深远的影响。

        原本,这算得上苏菲美好的英语教学经历,在她从事诗歌翻译后,便戛然而止了。除了上完学校规定的英语课之外,便没有再教授其他同学。因为她觉得,诗歌翻译是高度挑战性的事情,必须要全力以赴才能做好,而不能分心。如果不是因为她谋划的《中国新诗英译年鉴》(暂定名)一直无法筹到赞助出版资金,她可能永远不会往发挥自己英语教育这个天赋上来做文章。

        苏菲希望借助她在英语教学方面的优势,打造苏菲英语教育品牌,为中国诗歌的对外翻译、国际化推广和国际交流筹集资金,助力中国诗歌国际化。对于自己恢宏的远景规划,苏菲表示,她希望借助依靠在诗人圈、文艺圈、英语圈、企业家圈层的个人品牌影响力,逐步推出苏菲教育品牌,针对不同的学生需求开设不同的英语课程,进行网络在线或一对一、小班授课。在不久的将来,苏菲将建立自己的网络教学平台,创办自己的教学课室;开发、编撰从零基础开始一直到雅思、托福、研究生英语教育的教材;利用国际交流合作打通中国文学与诗歌在海外各国的出版、发行渠道,让每一个想在国外出版作品的诗人作家都能提高自己的国际影响力;同时创办诗歌翻译与研究中心,培养中国诗歌翻译和专业化国际化传播人才,最终将中国优秀作家和诗人的作品在国际上发扬光大。

        苏菲说,她的愿望是将苏菲教育做成像“新东方”那样的上市公司,我们衷心祝愿她的所有梦想能够成真!

     

    2016/5/12 中国广州

     

     

    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》
    《文化月刊》刊发文章《翻译家苏菲:用英语教育推动诗歌国际化》

     

      “Translator Sophy Chen: To Promote Chinese Poetry Internationalization By English Education”

    Published by Chinese “Cultural Monthly”
    Written by Chinese Poet Dazang
     
     
    Abstract: Art & Life Section, (semimonthly, June 2016), “Cultural Monthly”, directed by the Chinese Ministry of Culture, published a long article written by Chinese poet Dazang “Translator Sophy Chen: To Promote Chinese Poetry Internationalization by English Education”. Firstly, with the point of view of a culture observer, it reviewed the periodic process of poetry translation, and international poetry spread of Chinese poetry translator Sophy (Sophy Chen), it focused, quoted and expounded her concepts and ideas on Chinese poetry translation and poetry propagation, and it recalled her personal growth process from love foreign languages to a bilingual poetess and a bilingual poetry translator; combined with the current status of Chinese poetry collection’s translation, publication and circulation in the international arena, Sophy Chen, as a translator from her personal services in Chinese poetry, literary and artistic works’ international translation and promotion, made a practical and ambitious idea to promote Chinese poetry internationalization by English education.
    The article of Poet Dazang, mainly described Sophy Chen’s legendary history and translation dreams from the following five aspects:
    Firstly, Sophy Chen: A “Black Horse” Soaring out of Chinese Poetry Translation Profession
    Secondly, the Initial Attempts of Integration of Poetry Translation and Promotion
    Thirdly, Chinese Poetry “Going out”: We Can Not Just Rely on Foreign Translators!
    Fourthly, From Love Foreign Languages to Be a Bilingual Poetess and Bilingual Poetry Translator
    Fifthly, English Education Industrialization Boosting Chinese Poetry Internationalization
    Keywords: Sophy, translator, Chinese poetry, poetry translation, dissemination, promotion, internationalization, English education, industrialization
     
     
    By the continuing voice of “going out” in Chinese literary circles, more and more Chinese poets gradually have not been satisfied with publishing their poetry anthologies in Chinese version, to exchange their ideas in Chinese poetry circles, because they want to be the international poets, wish to publish their own poetry anthologies abroad, and have some opportunities to communicate with foreign poets. Naturally, the poetry translation of these Chinese poets has become an urgent and important issue. So far, the translation work of Chinese poetry in main land of China is in the ascendant, however the professional translators in this profession are very few. — the C-E or E-C bilingual poetess, Sophy Chen, is a “wonderful flower” in the Chinese poetry translation field.
    Sophy Chen: A “Black Horse” Soaring out of Chinese Poetry Translation Profession
    In Chinese literary circles, many poetesses have aroused a lot of people’s attention, such as Shu Ting in 1980s, and Yu Xiuhua soared popularly last year, and etc. However they’ve written poetry in Chinese language, so we Chinese people rarely heard that a Chinese person has written poetry in English language and specialized in C-E or E-C Poetry Translation. The poetess, Sophy Chen, is such a unique poetess and poetry translator.
    In May 2013, the famous Chinese poet Dong Dangzi, got the poetry award “Poetry & People • Poet Award” established by Guangdong poet Huang Lihai, the specially printed booklet of its prize presentation, such as its preface, awards words and prize words translated accurately by Sophy Chen which first aroused Guangdong poets and poetry critic’s attention. Sophy Chen first attracted media’s attention was the “Dushan Legend” of the First Guizhou Poetry Festival in which she was invited to attend as a translator in late 2013, at the same time, the Top Interview Column of the “Guizhou Nation Newspaper” (“National Literature” Weekly), reported of Sophy Chen’s poetry and her poetry translation in the full-page of its first page as the title “Sophy Chen: the Chinese Poetry Translation Into Foreign languages Is Seriously Lagging Behind. In 2014 Sophy Chen was invited to attend the “Phoenix Singing in Spring Hill”, the Fifth Guangzhou Poetess Readings, her standard, fluent BBC English and beautiful, mellow and full English recitation shocked the audience, which showed the different magnificent color of English poetry and its recitation from the Chinese Poetry, and which was quickly spread in the network, and where its amount of video playback was up to 60 million times in total (according to Baidu video statistics), only two video recitation in Cool 6. In August 2014, the Reading Section of Guangdong “Information Times” interviewed with Sophy Chen, in a full-page, by the title: “Sophy Chen: From the Poetry Readings to Going into the Poetry World”, which was reprinted more than 150 media in mainland and overseas, including the website of Chinese Academy of Social Sciences, the China News, Sina.com, Phoenix News, and Taiwan News, etc. She emerged in the mainland poetry translation academia and international poetry forum. In October 2014, she was invited to attend the Second Taiwan, Mainland, and Western Translation Theory / Criticism & “Translating China” Symposium, the National Translation Philosophy & the First Translation and Poetry Symposium, and the First (Baoan) China International Poetry Forum & Famous Poets’ Lectures, as well as the “Hong Kong International Poetry Night” held by poet Beidao, in 2015, etc. In December 2015, she was invited to serve as the jury of the first “DCC Cup” Global Chinese Poetry Contest and to participate in a series of its activities, and she also was invited to issue the awards live to mainland of China and overseas for the first time, through her founded communication platform “Sophy Poetry & Translation Website”, which the local Chinese culture media reprinted it in flocks and on the first day in this news page views reached more than 2,000 times.
    Born at the southern foot of Qinling Mountains, and graduated from the English Department of Xi’an International Studies University, Sophy Chen now is the editor-in-chief of “Sophy Poetry & Translation Website”, the member of Chinese Translation Association, and the Researcher of International Poetry Translation & Research Centre, as well as the guest editor of Multilingual Version “World Poets” Quarterly which is the only one international poetry magazine published in mixed languages. In her free time after her college English teaching, on the one side she provides E-C or C-E translation poems for the magazine regularly, on the other side she focuses on translating poetry of Chinese poets who are willing to publish their poetry collections overseas. At the present, Sophy Chen has translated six Chinese poetry collections of Chinese poets into English, published them in Chinese-English version and has translated more than 100 well-known poets’ master pieces of China and other nations, and also was invited to translate and do the English proofreading of the whole book Chinese-English Reader “Chinese Modern Poetry 300 (1917-2012) and the translation correction of “World Poetry Yearbook 2013”, “World Poetry Yearbook 2014” in English version and so on.
    The Initial Attempts of Integration of Poetry Translation and Promotion
    Mo Yan won the Nobel Literature Prize, which opened a window to the world for Chinese people. However, for a long time, due to the communication barriers of Chinese and foreign languages, the Chinese official literary and poetry circles have not established the strong international exchange mechanisms and effective international communication channels, so the private international translation is more like the sporadic raindrops.
    Sophy Chen has deeply experienced that translation must combine with dissemination and she has also deeply understood the confusion and anxiety of millions of Chinese writers and poets in the process of their works promotion and dissemination. In an effort to translate the excellent Chinese poetry and promote its internationalization, at the same time, commit to the translation, dissemination and exchange of the international outstanding poetry, Sophy Chen founded the first English-Chinese poetry translation website personally in China — “Sophy Poetry & Translation Website” (http://www.sophypoetry.com), and its Chinese version website was first on-line in October, 2014, and in March 2016 it was established a website by the revision in English, and English-Chinese version, which was truly transformed into China’s first personal sponsored international poetry translation website. At the present, its Google’s search has amounted to ten thousands of pieces, Baidu’s search thousands of pieces, its highest daily reading has reached more than 3,000 times, and a single article viewed cumulative amount has been up to nearly 5,000 times. It has been launched as the representative of Chinese and overseas’ well-known translators such as Danis Mair, Zhang Zhizhong and Zhang Zhi, and the representative of Chinese famous poets as Yangke, YISHA and Xiaoxiao. Sophy Chen spent a lot of time for its content editing, successively uploaded the translation works of famous Chinese and overseas’ poets, widely shared them by the international community of poetry, and also uploaded the translated works and her original English poetry to poetry portals around the world for communication and interaction, which have achieved remarkable effects.
    Outside of main land of China at present, Sophy Poetry & Translation Website and English poetess Sophy Chen have grown their manifest influence in the international poetry community. MuteMelodist academic art website of St. George University of India and Macao Monthly have published the articles on Sophy Chen and Sophy Poetry & Translation Website in the full text, the former one also made links on its homepage, and Sophy Chen have gradually received many poetry contribution letters from some international organizations, well-known poetry magazines, and the poets, such as Sophy’s English poetry, Faced with Terrorism, Poetry Is Nothings’ Nothing had been selected into “POETRY AGAINST TERROR”, 2016 Italian global poetry anthology. Meanwhile, by the link of Sophy Poetry & Translation Website and translator Sophy Chen now have incorporated the mainland and abroad translators, including Korean, Arabic, Bengali, Italian, French and other multilingual poetry translators, which are ready to translate and recommend more outstanding works of Chinese poets.
    All of this Sophy Chen did, that is just to have a useful attempt to the integration of translation and dissemination with a sense of responsibility and mission of Chinese poetry. For the huge number of overseas and Chinese poets’ groups and the millions of original poetry every day, this is the only a drop of water in the sea, the more focused, extensive and effective dissemination and translation of Chinese poetry are awaiting more Chinese poetry translators and international groups to involve.
    Chinese Poetry “Going out”: We Can Not Just Rely on Foreign Translators!
    For the Chinese Modern Poetry “going out”, Sophy Chen has her own understanding. For a long time, Chinese classical literature has been regarded as the essence of Chinese culture, and even Goethe, Germany, Pound, the United States, had turned their eyes to China, and at that time the poetry translation was the essence of classical literature. In the process of translation, a large number of advanced Western thoughts and literature, experienced the “May Fourth Movement” the Chinese Modern Poetry has been growing up slowly as a toddler; now going through a century of development, the outstanding Contemporary Modern Poetry, as the most mature literature part of China, has accumulated the rich implication of ideological content and its cultural radiation is limitless, so it is reasonable to promote it actively, and make the readers around the world timely enjoy the splendid Chinese contemporary poetry civilization.
    “Now more and more foreigners also want to keep abreast of the Chinese culture, and the Chinese contemporary poetry, in addition to the fiction, is the most audience attractive global literary genre.” since “Chinese Literature Hot” following by Mo Yan won the Nobel Prize. So far, Chinese Poetry translation is seriously lagging behind. Although in recent years, the translation of
    Chinese poetry into foreign languages is on the rise, by contrast of current trends of economic, social, cultural development of China and communication and exchanges of poetry, it is seriously lagging behind. Sophy Chen said that if the Chinese poetry wants to go out, the Chinese translators must establish confidence to translate Chinese poetry into English, and the Chinese translators should assume the task of poetry translation rather than only put hopes on foreign translators. She believes that Chinese poetry, literature and even culture first should be promoted and carried forward by Chinese people themselves. Only Chinese people can understand our own cultural the most thoroughly and translate it the most perfectly. She said that she had read a lot of famous foreign translators’ translation text, after making a comparison with its original Chinese text, she still picked out a lot of mistranslation and blemishes, so she believes that “foreign translators are not necessarily reliable!” Her words are so confident, simple and straightforward.
    However, Sophy Chen is not a conceited person. She knows that even the best translator, whose defects and omissions are inevitable in their translation works, so after completing some translation documents, she will find some universities’ peers, and fellow translators to correct their mistakes, and she often can not eat anything for they can not find their defects.
    From Love Foreign Languages to Be a Bilingual Poetess and Bilingual Poetry Translator
    Generally, we believe that poetry can not be translated, because there are different cultural background and language habits between different languages. But Sophy Chen has told us by her own personal experience that Chinese and Western cultures, thoughts and habits of languages are beyond.
    When most Chinese people heard that they need to learn a foreign language, they are immediately muddled in their mind, but Sophy Chen is totally different. “English is God’s language really, so beautiful!” She loves the foreign language that is completely because she has sincerely appreciated the charm of foreign languages and their cultural, which made her not escaped. Sophy Chen revealed that her “secret” to learn foreign languages is to forget her native language, Chinese, and to learn the foreign language completely as her “mother tongue”. In college, she had recited some beautiful English articles every day in the National Garden of Xi’an International Studies University, from the most fundamental English, “New Concept English” to novels, and to English poetry. Usually, from 6 am to class to be ready, in summer or winter vacation she’d been read to 12 am, and she’d never stopped to do so. To be able to speak English nicely and fluently as BBC, a piece of BBC English news, Sophy Chen often would imitate and repeat a thousand times.
    During college she read a lot of English original works, she often regards herself as its original heroine, along with to be happy and to be sad, and she completely immersed herself in the English language sense, which gradually eliminated the exotic cultural barriers in her body. She also focused on reading a number of English poetry, such as poems of William Wordsworth, Shakespeare’s sonnets, Whitman’s poems, etc., she did not allow her friends say Chinese, even deliberately circumvent Chinese books and magazines. Being insisted on it for a few years, it made her a person who could directly think in English and write in English. In a moment of her inspiration or desperation, what came out of her mind often is English rather than Chinese.
    Love is the best teacher, which gives Sophy Chen endless fun of life. She said that after she had learned a foreign language to a certain extent, when she was appreciating of an English work, or reading a beautiful poem, praising and enjoying the beautiful language, at the same time, it would erupt into a kind of strong urge to transform them into Chinese, and later when she read Chinese works or poetry, she also had such impulses. She started going on the road of poetry translation, it is purely because she enshrines natural, beauty of language and art of poetry in her heart.
    In general, poetry translation is the most difficult style in all literature. If a translator is a poet, his translation quality is generally higher than the non poet translator. How to bridge the gap between the target language and translated language, Sophy Chen’s experience is that only you can write poetry, not so bad, can you translate poetry perfectly, otherwise it would be so difficult to grasp the language of poetry, of course — If you can simultaneously write by two languages, it would be better. Sophy Chen is a poetess who not only can translate poetry but also can write poetry. Relative to her Chinese poetry writing, she is good at English poetry writing.
    When Sophy Chen started to contact with poetry at the first year of middle school, she was attracted by the charm of pure poetry, whatever the modern poetry or ancient poetry she would like to recite them by heart, and then she ignorantly wrote her first poem. Later in the university, because it was to learn English, when she often read English poetry or other works, she always was impressed by the beautiful sounds of English language and its indirect rhythm. Now, among her poems, most of them are English poetry. Sophy Chen spent a lot of time to study meter of English sonnets and haiku, and she finally created her own English sonnets with harmonious rhymes and English haiku with unlimited implication. Now she not only can summarize their differences from European and American classic English poetry to her own English poetry, but also she can compare her English poems to English poems of different times and different authors, “because now she wrote many similar style poems himself, with more profound experience.”
    To compare with original poetry and poetry translation, what the most important in her mind is her original poetry, Sophy Chen believes that there is no original poetry, there is no poetry translation. Since learning a foreign language, she wrote Chinese poetry relatively less than English poetry, in recent years, she has created a lot of Chinese poetry, and gradually rediscovered her original feeling of Chinese poetry writing, which makes her poetry translation works E-C even more accurate and perfect; at the same time, she often tries to translate her own original English poetry into Chinese, and again to translate her original Chinese poetry into English, in the original creation and translation process of two languages, Sophy Chen has profoundly experienced the creation secrets of two languages and nuances between them.
    English Education Industrialization Boosting Chinese Poetry Internationalization
    As we all know that if the translated poetry collections had not been published and well sold in the book market, and only spread at websites, WeChat, and etc, they were probably the humble “Personal Action,” in the people’s eyes of official institutions and probably not only the “small trouble to make,” but also unable to give further international exchanges and cooperation to provide resources for reference template. Thus, after translated and published six Chinese poet’s poetry collections and some representatives of Chinese poets and international poets’ masterpieces, Sophy Chen naturally initiated her idea to translate the Chinese poets’ and international poets’ poetry collections to publish and promote them in the international book market. Only embarking on translation, publishing, distribution, and “integrated” line of communication integration, Chinese literary and poetry can really find a foothold in the international stage. For this, Sophy Chen has a deep understanding in the past few years to exchange of ideas with Chinese and foreign poets. At present, in mainland of China, apart from those most authoritative official poetry anthologies, the most famous academic group of contemporary poets, as Bei Dao, Haizi, Shu Ting, and a number of modern poets, as Xu Zhimo, and Dai Wangshu, another poets’ poetry collections and the poetry yearbooks, are almost entirely at their own expense or find sponsorship to publishing. In the face of poetry’s recession, and poetry’s ecological reality of being marginalized, a translator who has only relied on a few thousand Yuan for a living, wants to launch the English translation collections of Chinese poets or international poets’ Chinese anthologies, even the soliciting contributions and translation is not a problem, well the cost of publication is the biggest problem.
    In addition to poetry translation, Sophy Chen’s another social character is an English teacher, she will go Universities to have her classes in leisure and finish her classes in leisure every week. She once taught hundreds of people’s IELTS, TOEFL, postgraduate’s English examination courses, and even the college entrance English examination courses, which made her students’ regain their English learning confidence, enhance their English learning ability, and improve their English score rapidly in the very short time and even help the students whose original entrance exams were 50s, near the college entrance English examination only 30 days, by Sophy Chen’s profound taught, those students’ score were easily broken 120 points in the college entrance English examination. Now her students of her IELTS and TOEFL classes have mostly graduated abroad. The largest evaluation of her students is: the most proud of learning English with Sophy Chen is to have established their own self-confidence in English learning, opened the door to the mystery of English language and had a profound impact on their life.
    Originally, this could be considered as Sophy Chens’ better English teaching experience, but it had been halted up after her poetry translation. In addition to finish the English classes provided by her school, she no longer teaches other students. Because she felt that poetry translation was a highly challenging thing, she must try her best to do and could not be distracted. If not for her plan of “Chinese Contemporary Poetry Translation Yearbook” (tentative name) has been unable to raise funds to sponsor the publication, she may never think of her talent in English education and develop her teaching talent.
    Now Sophy Chen’s dreams are she hopes she can build her English education brand by the advantage of her English teaching, and raise funds for Chinese poetry translation, international promotion and exchange, and give her hands to Chinese poetry internationalization. It is always good to have a dream, but the key is that we need the effective approaches, methods and steps to realize it. In this regard, Sophy Chen has her own grand vision between her joyous words full of longing feelings. Now, she is hoping to rely on her own personal brand influence among poets’ circles, literary circles, English circles, and entrepreneurs’ circles, and gradually build Sophy education brand and give different English courses for different needs of students by online live or one-to-one teaching or small classes. In the near future, Sophy Chen would like to establish her own network teaching platform, and start her own online live classroom; she would like to develop and compile her own education materials from the every beginning, the zero based English foundation to IELTS, TOEFL and graduate English and even poetry translation; she would like to open up Chinese literature and poetry publishing and distribution channels in oversea countries by the international exchange and cooperation, so that make every poet or writer who wants to publish her or his works to improve his international influence; at the same time she would like to create the Poetry Translation and Research Center to cultivate the Chinese poetry translation talents and specialized and international Chinese culture spreading talents, and eventually flourish the works of Chinese outstanding writers and poets internationalized.
    Sophy Chen said that her wish is to make Sophy Education a public company as “New Oriental”. Let us sincerely wish all of her dreams can be true!
     
    2016-05-12 Guangzhou, China
    Translated by Sophy Chen 2016-06-25 Guangzhou, China
     
     

    ~~~~~~~~~~~转载请注明出处、作者、链接,并携带以下信息!~~~~~~~~~~
     
     

    苏菲英语讲坛在线直播


    翻译家 苏菲 广州大学城开坛讲授英语,7月初上课!


    Sophy English Forum

    苏 菲 英 语 讲 坛



    讲授课程


    雅思/托福/考研 英语

    精品英语口语
    英汉诗歌翻译
    英语诗歌写作
    零基础英语长线班
    英语发音与播音主持


    授课特色:


    1 柔美的BBC 英语,课堂亲和力极强

    2 交互式,多同学视频互动口语操练
    3 这里没有技巧只有扎实的基本功
    4 消除所有英语长难句和复杂篇章
    5 积极培养翻译家后备人才


    授课方式:在线直播/面授


    授课地点 : 广州大学城


     主讲人:苏菲(Sophy Chen)


    中国当代女诗人、翻译家,美国英语“传奇诗人”。
    国际翻译家奖获得者,中国当代诗歌奖
    “翻译奖”获得者,出版英译诗歌集6部。

     咨询电话/微信: 18201007874
     咨询Q Q /微信: 2139528010

                

    苏菲英语讲坛在线直播平台
    苏菲诗歌&国际翻译网

  • 苏菲:“中国诗歌的对外翻译严重滞后”[高端访谈] (《贵州民族报》民族文学周刊)[09-14](362)

     

    第5期《贵州民族报》《民族文学周刊》头版)

      
     

    (高端访谈《贵州民族报》《民族文学周刊》)

     

      

     

      

     

    苏菲:“中国诗歌的对外翻译严重滞后”


                                          ——  若 非

      

        

      

     

     苏菲档案

     

     
    苏菲,本名陈丽华,毕业于西安外国语大学英文学院,英语语言文学硕士,在外语类院校任教至今,现为混语版《世界诗人》季刊客座副总编,英汉双语诗歌写作者和译者,国际诗歌翻译研究中心研究员,中国翻译协会会员。1989年开始汉语诗歌写作,2004年开始英文诗歌写作,2011年开始发表英汉双语诗歌和英汉双语诗歌翻译作品。部分汉语诗歌作品及翻译作品刊载于《新诗》、大型文化季刊《大昆仑》、《中国当代诗歌导读(2011—2012)卷》等多种刊物和诗歌选本。参与汉英读本《中国新诗300首(1917—2012)》部分作品的翻译及全书的翻译校对,英语诗歌作品收入美国国会编选的《2012年度诗歌年鉴》,曾获国际诗歌翻译研究中心颁发的2012年度“国际最佳翻译家”奖,荣获国际知名英语诗歌专业网站美国诗歌网授予“传奇诗人称号”。


    “诗意就是生活,生活就是诗意”

        若非:苏菲老师,在你的博客上,你呈现的是诗意的一面,生活中你是怎样的人?能详细介绍一下吗?
        苏菲:我在博客上呈现的是诗意的一面,这个我倒没有意识到。对于我来说,诗意就是生活,生活就是诗意,我中有诗,诗中有我,这一点,是在西外上大学的时候开始体现出来的。当你被一种语言所感动,你就无法抗拒这种感动,我对英语语言的感动就是从这门语言天籁般的声音开始的,如果想感受这种音韵之美,就不仅仅只是用耳朵感受别人说英语、听英语广播、听英语磁带里播音员给你带来的声音之美,或者是看英语电影给你带来的视觉之美,最关键的是,你在用耳朵感受的过程中也在用嘴巴和心灵去感受,你在跟读的过程中自然就会听到自己的声音,当一个人对美的向往达到极致,你就会追求自己音色的完美,那么你就无法自拔。你越是无法自拔,你就越是把白天和黑夜混为一体,就越是把生活当成语言,越是把语言当成生活,就打开了生活和诗歌的界限,使之合二为一。不管过去、现在乃至将来,我想再也无法把它们分开了,这也许是我为什么会走上诗歌翻译道路的根本原因吧!

        若非:诗歌路上,有什么难忘的经历?2012年荣获美国诗歌网授予的“传奇诗人称号”,为什么是传奇诗人?
        苏菲:说起这个,要先说说在新浪博客认识混语版《世界诗人》执行总编——诗人张智先生。在认识他之前,我不管是写诗还是翻译诗歌基本处于自娱自乐型,只是在博客玩玩而已,至于在纸质刊物发表与否根本没有多大概念。认识张智先生也就认识了混语版《世界诗人》杂志,在张智以及这份刊物的鼓励下,我的诗歌创作和诗歌翻译逐渐走上了正轨。如果说我为什么会走上诗歌翻译这条道路,可以说认识张智是我从诗歌创作走上诗歌翻译的转折点,也是我人生的转折点,因为对于我来说,最大的人生意义莫过于有诗歌相伴,走上诗歌之路就意味着步入了最美丽的人生之路。
        “传奇诗人称号”首先要从美国诗歌网说起,他们建立了点数和徽章系统,依次是诗人、优秀诗人、著名诗人、最珍贵诗人、桂冠诗人、传奇诗人。老外认为能获得“传奇诗人”称谓是诗人的荣耀,而我作为一个中国人能获得这样的荣誉,我觉得内心受到极大的鼓舞,这将使我在英语诗歌原创道路上走得更加坚决、更加自信。


    “中国诗歌的对外翻译严重滞后”


        若非:你的写作是始于原创,十多年后才开始翻译,是什么原因让你走上诗歌翻译的道路?
        苏菲:这主要是被大自然深深感动着,被语言深深感动着,被诗歌深深感动着。我出生在陕西汉中略阳,属于秦巴山地,大山高耸如云,泉水叮咚,小河蜿蜒流淌,童年就被大自然的美丽感动着,时常会情不自禁写出几行赞美大自然的文字。初一时便萌发了诗歌种子,虽然自己并不怎么知道写出的东西是什么,但总是情不自禁地写出了几句。高中是最诗意的年代,那样的花样年华,几乎天天有诗意,天天写,几乎处于巅峰状态。不过可惜那个年代没有网络,也没人鼓励,写出的东西没人过目,我几乎问遍了所有老师,竟然没有一个人给以指导或是鼓励的,我们知道那是一个分数万岁的年代,学生写诗是不被老师看好的。进入西安外国语大学学习外文之后感受到异国的语言和文化,特别是英语语言,从此便拉开了我人生真正意义上的诗歌序幕。这主要是源于对英语语言深深的感动,感觉英语简直就是上帝的语言,太美了,使人不能自拔,于是一头扎了进去。每天早上六点起床,在西北政法大学花园背诵新概念英语,这样度过了几个春秋,奠定了我走上诗歌翻译之路坚实的英文基础。我们知道,外语学习到一定程度,在欣赏英语文学作品的同时,你会萌发想要去转化成汉语的强烈冲动,而这种冲动往往是无法抑制的。在读汉语文学作品时也一样会有这样的冲动,当你读到某一首优美的诗歌,你就在赞叹和享受美丽的同时,爆发一种非要翻译不可的冲动。这也就是我为什么会走上诗歌翻译道路的原因之一,这纯属偶然,纯属对自然、对语言、对诗歌的感动。

        若非:诗歌翻译和原创,你是两手都在抓,且成绩斐然。原创和翻译,你最倾力什么?为什么?
        苏菲:这个问题提得太好了!诗歌原创和诗歌翻译我最倾力的是诗歌原创,他们是相辅相成的,没有诗歌原创就没有诗歌翻译。所以我始终认为,作为一个诗歌翻译者,首先你必须是个诗人,只有你会写诗而写得不至于太差,你才可以翻译诗歌,否则你的语言必定会有大问题,至少很难抓住诗歌的语言。这就是为什么我们的诗人都喜欢读诗人翻译家翻译的诗歌作品,而并不看好单纯的外文翻译家们翻译的诗歌了。为了使自己的诗歌翻译作品更加精准,在艺术上更加完美,这几年我在努力找回汉语诗歌原创的感觉,这将有助于我的英语诗歌汉译,也就是说在把英语诗歌转化成汉语诗歌的过程中使其从语言上更完美,当然我也在努力提高英语诗歌原创能力。作为一个主要搞汉译英的诗歌翻译者来说,英语诗歌素养的重要性可想而知,如果你根本不写英语诗歌,写出的作品不被英语本族语诗人们和读者们认可,你想想看,你翻译出来的英语诗歌他们认可吗,他们喜欢读吗?这就如同我们不喜欢读单纯的外文翻译家们翻译的诗歌一样。

        若非:原创和翻译,从意义上讲,都是艺术创造。如何处理原创和翻译之间的关系?
        苏菲:对,原创和翻译都是艺术创造,既然是艺术创造那就得想方设法达到艺术的完美性。从诗歌的角度来说,艺术的完美性比其它艺术形式要求会更高、更严格,原创诗歌作品不管是本族语还是外文都遵循这个规律。当然诗歌翻译作品除人类普遍对诗歌的审美情趣之外,附加了更加高难的创作过程,比如把一首汉语诗歌翻译成英语诗歌,要意思精准;照顾到译入语的地道和流畅;译出语和译入语在诗歌形式上要完美统一;诗歌的韵律和节奏要统一;实在无法做到形式、韵律、节奏的完美统一时,为了打造更加完美的译入语语言形式,要先考虑到译入语国读者对诗歌艺术美的追求和向往,尽量满足他们的审美标准,那就是先考虑意思精准、译入语的地道和流畅;还要努力使翻译作品达到与原创一样的艺术效果,不能让读者发现翻译的痕迹。尽管有很多翻译家认为翻译就是戴着镣铐跳舞,没有自己原创那么轻松自如,受到原作品很大的束缚,可是我认为没有绝对的自如也没有绝对的束缚,带着镣铐跳舞是在对原作充分尊重基础上的一种再创造和超越,它未必不是人生的另一种境界,你未必就感受不到原作中大自然的美、语言的美、人性的美、诗歌的美,一旦你感受到了,带着镣铐也是完美的!因此对于我来说诗歌翻译就如同自己的原创,在翻译的过程中我会不由自主的将身心融入到原作者的作品当中去,去感受原作者的悲欢离合,就如同自己写诗一样。

        若非:诗歌翻译,你最注意的是原作品的什么?
        苏菲:我最注意的是原作品和译作气韵的统一。也就是说,不光是形似更重的是神似,也就是诗歌精气神的相似性。当然这是诗歌翻译最完美的状态,是很难达到的境界。

        若非:你觉得当前中国诗歌的对外翻译,处于一个什么样的状态?
        苏菲:中国诗歌的对外翻译严重滞后。虽说近年来诗歌对外翻译有上升的趋势,可是相对中国目前诗歌发展的现状来说,是严重滞后的。由于我国文化建设相比其他国家较薄弱,特别是文学与诗歌对外译介推广方面投入非常有限,比如其他领域,像中医、旅游、科技等方面,由于实用性很强,都有专门的翻译机构去做,但诗歌翻译这一块几乎没有,大多是一些翻译热爱者和民间团体,凭着对诗歌的热爱在努力翻译推广着。

        若非:你现在外语类院校任教,工作和翻译有联系吗?
        苏菲:有联系,我教的是英语,虽说不能每节课和学生一起欣赏英语诗歌,但我总能感受到给学生上课就如同读诗,如同写诗,当你把语言的美展现给学生,你会发现你更加感受到了语言的美、诗歌的美,它或许来自同学们敬献的青春眼眸,或许来自你对语言的沉醉,有一天你会突然发现你的翻译作品和原创作品更加完美了。


    “翻译工作对我的诗歌原创有着巨大的推动和促进作用”


        若非:作为混语版《世界诗人》的客座副总编,你如何认定一首好诗?
        苏菲:其实凡是在这份杂志的版权页上署名的编辑,主要任务是翻译诗歌,其次才是去读稿和选稿。每期都有部分诗歌翻译作品按时按量刊登在混语版《世界诗人》杂志上,因此我们的主要任务不是选稿而是翻译。我认为好的诗歌是经得起历史推敲的,作为诗歌,语言应该优美、有内涵、有一定的时代和现实意义,能给读者带来精神上的愉悦和慰藉。

        若非:编辑工作对你的创作,有什么影响?
        苏菲:翻译工作对我的诗歌原创有着巨大的推动和促进作用。比如说,英译汉时会学习到原汁原味的英语诗歌,从它的语言、韵律、思想、气韵各个方面都得到学习和借鉴,写作英语诗歌时便会将这些特点融入自己的诗歌中去;汉译英时同样也会学习到地道的汉语诗歌。翻译实践是非常锻炼人的,光有理论没有实践是可不行,这好比是纸上谈兵,眼高手低!
        做编辑翻译工作之后,不但发现所学语言得到很好的应用,而且发现更自信,人生更具挑战性。因为作为一个诗歌翻译你懂得的不光是诗歌语言,最重要的是你要具备至少两门以上语言的诗歌创作能力,只有这样翻译出来的诗歌作品才像是诗歌、才地道、才会让读者认可。这无疑是人生极大的挑战,同时也因这种挑战使人生更具意义!


    “贵州应重视诗歌翻译加大诗歌翻译投入以及建立专业的诗歌翻译队伍”

        若非:是第一次到贵州吗?之前有什么印象?
        苏菲:是的,我是第一次来贵州,对我而言贵州始终是个很神秘的地方。感觉贵州有很多服饰多样的少数民族,他们载歌载舞,绚丽多姿。最重要是作为诗人,我最羡慕的就是,贵州的山水和它孕育的杰出诗人们,这里人杰地灵,是出诗人的地方,适合写诗,真的!这些都是从诗人们的诗歌作品中感受到的,此次来贵州才知道真是名不虚传呀!

        若非:对贵州诗歌及本次贵州诗歌节有什么整体的印象?
        苏菲:“独山传奇•首届贵州诗歌节”,本土意味浓郁,质朴而神秘,太令人难忘了!那些奇异多姿的少数民族舞蹈与音乐,使我们对贵州的本土文化心生无限敬畏,贵州人民的好客也让我印象深刻。本次诗歌节的圆满成功,与当地的媒体记者和会议组织者们的辛勤付出是分不开的;各位嘉宾和与会诗人们不辞劳苦,从四面八方齐集独山,在雨雪交加中朗诵诗歌,令人感动!
        南鸥先生对诗歌太疯狂太执着了,他忙前忙后,连饭也顾不上吃,同时还要感谢贵报《民族文学周刊》执行主编郭思思先生,在机场苦等了几个小时才接到我,在此衷心感谢!这里特别要提到的是我们混语版《世界诗人》执行总编——诗人张智先生,他带病从重庆赶到独山参加此次诗歌节,大概是因为天气太冷和高原反应,病情加重了,但是他还是坚持到最后,让人肃然起敬!

        若非:贵州是一个边缘内陆省份,文化的发展相对沿海来说是滞后的。作为一名诗歌翻译家,你对贵州优秀诗歌的推广,有什么建议?你认为《贵州民族报•民族文学周刊》办得怎样?
        苏菲:贵州省的诗人们很少把自己的优秀诗歌作品介绍出版到国外去,这样就很难让外国读者和诗人们读到自己的诗歌。因此要重视诗歌翻译,加大诗歌翻译投入以及建立专业的诗歌翻译队伍。
        《贵州民族报•民族文学周刊》是一份很专业、很全面、很前卫的文学刊物,它必定会为中国诗歌的崛起起到巨大的推动作用。
     

  • 女诗人苏菲:从朗诵开始进入诗歌天地(信息时报)[09-04](325)

    [享受生活 我的书房]

    女诗人苏菲:从朗诵开始进入诗歌天地

    大洋新闻 时间: 2014-08-18 来源: 信息时报

    【书房主人】

     
     
    苏菲(Sophy Chen)
     
    中国当代女诗人、翻译家。英文名Sophy Chen,本名陈丽华。毕业于西安外国语大学英文学院,英语语言文学硕士,在外语类院校任教至今。现为国际诗歌翻译研究中心研究员、混语版《世界诗人》季刊客座副总编、中国翻译协会会员。1989年开始汉语诗歌写作,2004年开始英文诗歌写作,并在各大报刊发表英汉双语诗歌和英汉双语诗歌翻译作品。曾参与汉英读本《中国新诗300首(1917—2012)》部分作品的英译及全书的英文校对。审译纯英文版《世界诗歌年鉴2013》。2012年,获国际知名英语诗歌专业网站POETRY.COM授予的“传奇诗人称号”,同年获IPTRC颁发的2012年度国际最佳翻译家奖。出版英译诗歌集:《花动摇》(赵兴中原著)、《藏香》(女诗人 紫影原著)。
    本版采写  信息时报记者 潘小娴  实习生 阚文婧 本版摄影  信息时报记者 陈文杰

        苏菲的书房不大,但是显得非常有文艺女青年的清新风范:装满英语原版书的小巧书柜,乳白色的窗帘,一盆悬挂着的绿萝,两小瓶插着的羞天草,绿意盎然,淡雅清新。在这样的氛围里写诗译诗,真惬意也!



    苏菲的书房,绿意盎然,淡雅清新。
     
    从朗诵开始进入诗歌天地
    从事英汉双语诗歌创作与翻译的苏菲,早年一直读的是古典传统诗歌,而她与新诗结缘,相对晚些,是从初一开始的,当时读了一些汪国真、席慕蓉的诗集,很纯美,对写诗有懵懂的感觉,也从中受到了一些启发,并尝试着写下了第一首诗歌。苏菲说:“虽然我上初一的时候才开始真正接触新诗,但是从初中到高三毕业,课文里面出现的不论是古诗新诗,我全都背得滚瓜烂熟,甚至可以倒背如流。在背诵的过程中,能感受到诗歌的声音美、音乐美,这是一种非常享受的过程。”
    上大学时,学的是外语专业,视野开阔了,觉得英语很美,看到一些比较唯美的句子,也会摘抄下来。一开始读了英语的床头灯系列小说,都是世界名著的简写本。到大三大四她就转读英文的原著,如《简爱》、《呼啸山庄》、《飘》等。
    对于学外语的人而言,早上的朗诵是非常重要的。苏菲说:“我在早上会去校园的一个小花园里朗读。每天早晨6点开始一直朗读到8点,然后去上课。如果是寒暑假就从6点一直朗读到12点。四年本科从未停止早读,刚开始是朗读,到后面就开始背诵诗歌,比如华兹华斯的诗全集、莎士比亚的十四行诗等。”
    光背是没意思的,要一边听 ,一遍背,一边学会欣赏。“我学外语的时候用录音机听了一千多盘磁带,我一天听六个小时,一个录音机顶多三年就不能用了,所以光录音机我就听坏了七个。当时买一台录音机要七八百元,真的不便宜,但我这个人有个特点,只要跟我学习和阅读有关的,再贵我都舍得买。”
    “如果只是看诗的话,那只是一种视觉上的美;但如果诗歌朗读出来、背诵出来的话,就别有一番意想不到的效果,可以通过声音去感受它的韵律美形象美。”苏菲说,现在她依然还在背诵诗歌,并且还喜欢重新背诵以前背过的诗歌,比如华兹华斯的诗全集和惠特曼的诗全集等,重背的感觉和学生时代的背诵不一样,“我会总结这些诗和我所写的英文诗之间的差别,还会和其他的一些十四行诗作比较。因为现在自己也写了很多风格相似的诗歌作品,体会更深刻。”
     
     

    苏菲的翻译作品
     
     
    翻译,让我享受最美的人生状态
    “可以说,就是因为背诵的英语诗歌多了,我才能成为一位英语诗人。当然除了背诵英语诗歌,我也朗诵了很多唐诗宋词之类的汉语诗歌,在读汉语诗歌的过程中,我觉得这种语言特别美,于是就手痒痒的,想把汉语诗歌翻译成外文了。”苏菲如此总结自己是如何走上双语翻译之路的。
    苏菲最早翻译的是唐诗宋词等古诗词,难度比较大,翻译一首诗常常要一个礼拜,琢磨又琢磨才敢拿出来给别人看。2009年来广州后,广州的民间诗歌活动非常活跃,加上又频繁接触互联网,她看到了很多优秀的现代诗作品,于是,她就把一些好的现代诗翻译成英文放到自己的博客里。后来翻译得多了,《世界诗人》的主编张智先生就请她来做诗歌的翻译,现在她还是混语版《世界诗人》季刊的客座副总编。苏菲开心地说:“好玩的是,我可能是翻译和创作英语诗歌多了,在特别有灵感的时候,大脑里冒出来的是英语而不是汉语。所以我觉得自己写得最优秀的作品都是英语诗歌。”
    相对于小说、散文来说,现在关注诗歌的人更少一些,而苏菲是从事诗歌翻译,关注的受众更是少之又少。而且诗歌翻译又是个苦差事,因为历来有那么一个说法“诗歌不可译”。那么从事诗歌翻译会不会觉得寂寞呢?对这个问题,苏菲却回答说:“我觉得特别享受,因为这是我的兴趣所在。我除了上课,就是看书、翻译,其他的兴趣比较少。如果精神状况好,不累的话,每天大概翻译十一、二个小时;如果累的话,可能六个小时就结束了,其余的时间就去公园转转,听听音乐,有时也看一些国外电影,这个听和看的过程也是学习阅读的新过程。出版社给的任务是让我一年出版5本汉译英的书,别人认为我过得苦,其实对于我来说现在的状况是最美的——没有任何牵挂和负担,可以相对自由地追求自己热爱的翻译。
     
    阅读私生活
    信息时报:你的书房外文书籍很多,中文书籍占多少比例?
    苏菲:我书房的英文书占百分之七十,中文书籍占百分之三十。英文书籍以诗歌和小说为主中文书籍以散文和诗歌为主,当代中国小说我读得少。
     
    信息时报:请问你读书时有没什么习惯?你在床头上喜欢放书吗?
    苏菲:我看书是从前言开始一路看下去的,我看得很仔细,很慢。我读书从来不讲速度,也不规定每天看多少页,只喜欢随心所欲,边看边欣赏,边看边体会。我喜欢在睡前看上一两页书,所以,我的床头会放一些我近期看的书,有时候睡觉时脑中还会浮现书中那些场景,甚至做梦也会出现书中的一些情节,这挺有趣的。
     
    信息时报:你现在正在翻译的是什么作品?
    苏菲:我之前翻译过《花动摇》和《藏香》这两部诗歌作品,现在手头翻译的是我的第三部汉译英诗歌集,是一位80后的重庆诗人杨若鹏的诗集《生之瞭望》。
     
    信息时报:你会借书给别人吗?
    苏菲:我这人有一个毛病,书从来不借人。你要看我的书,就在我家看,但是书不能带走。特别是我背过的、啃过的书,做了很多笔记,那是绝对不能丢的,所以不愿意借给别人。我从小学一年级起的课本和作业本都保留着,都是按顺序归类放好的,堆积了几大箱。
    如果是我穿过的衣服丢了我不觉得伤心,但如果是我看过的书丢了,那我可能几天都吃不下饭了。我上大四的时候,有一个男同学要借我的英文版《呼啸山庄》,当时这本书的字里行间记下了我的很多读书感觉与笔记,我实在不舍得借。于是我说给他300元钱让他去买一本新的,但他不愿意,非得借我这本。没办法我只好借给了他,当时正值暑假,书借给他后,我老是担心书丢了,弄得我寝食不安,于是经常发短信问他书看完没有,并提醒他开学一定要把《呼啸山庄》带回给我。
     
    信息时报:你买书一般是在网上还是去书店?
    苏菲:刚来广州时,去广州购书中心买,还去海珠区的图书批发市场买过。现在买书几乎都是在网上买,主要买的是国外的一些诗歌理论、诗歌原著等。这种国外原版的书一般比较贵,但我从来不嫌书贵。因为书对我而言是最重要的,花再多的钱也毫不心疼。

      

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